Indigenous Studies and Book History<\/strong><\/p>\n Phillip H. Round, \u201cIndigenous Illustration: Native American Artists and Nineteenth-Century US Print Culture,\u201d in American Literary History<\/em>, Vol. 19, No. 2 (Summer, 2007), pp. 267-89<\/p>\n Round – 2007 – Indigenous Illustration Native American Artists<\/a><\/p>\n Her Book: Recovering Lost or Hidden Aspects of Book History<\/strong><\/p>\n Rare Book Working Group Examines \u201cHer Book\u201d<\/a> (Notabilia blog post)<\/p>\n “Her Book” worksheet<\/a><\/p>\n Why Pay More?<\/strong><\/p>\n Rare Book Working Group Asks, \u201cWhy Pay More?\u201d<\/a> (Notabilia blog post)<\/p>\n Introduction to Investigations\u00a0of Print<\/strong><\/p>\n James Mosley, \u201cThe Technologies of Print,\u201d in\u00a0The Book: A Global History\u00a0<\/em>(Oxford, 2013), pp. 130-53<\/p>\n The Technologies of Print<\/a><\/p>\n Introduction to Bookbindings<\/strong><\/p>\n David Pearson, \u201cHistoric Bookbindings: Key Points\u201d and Chapter 1: \u201cThe Meaning and Interpretation of Bookbindings,\u201d in\u00a0English Bookbinding Styles: 1450\u20131800<\/em>\u00a0(The British Library & Oak Knoll Press, 2005), pp. x-xii, 1-12<\/p>\nFall 2018<\/h2>\n
Spring 2018<\/h2>\n