This course examines what makes certain spaces — a multi-ethnic suburb of Paris, a museum, or a building — more controversial or problematic than others. Students produce a body of journalistic work based on historical and archival research, interviews, investigation, and field work in Paris during spring break.
Students in the Spring 2016, HIS278, Digital, Spatial, Visual and Oral Histories course produced digital narratives using ESRI’s online StoryMaps application. Based on recorded interviews conducted by the Historical Society of Princeton, images from the Society’s archives, census records, and digital maps held in Princeton University’s Maps and Geospatial Information Center, these multimedia narratives tell stories about the lives of residents of the Witherspoon-Jackson neighborhood in Princeton.
This project developed out of ART330/HLS331: Venice and the Mediterranean in the Spring of 2007. The course explored the artistic and cultural geography of Venice’s Mediterranean empire, known as the stato da mar, from its beginnings in 1204 to the loss of Crete in 1669. During a 9-day trip to Crete, sponsored by the Program in Hellenic Studies, students discovered a unique cultural palimpsest, with layers of physical remains from the Minoan, Roman, Byzantine, Venetian, and Ottoman periods still visible in the cities and the countryside. The class then collaborated on the construction of the website, using photographs made on the trip and providing commentaries for a defined group of monuments.
This interactive map encapsulates work done by the students of Art 440, Venice in its Golden Age, Fall 2007. The aim of this interdisciplinary seminar was to explore the art and architecture of Renaissance Venice in the context of its rich cultural heritage and unique political and social system.