Image Credits

Image Credits

Image Credits:

 

1. Münter and Kandinsky at the Phalanx School, 1902. Münter (seated) at center.

Fig. 1. Annegret Hoberg, “Gabriele Münter: Biographie und Photographie 1901 bis 1914,” in Gabriele Münter. Die Jahre mit Kandinsky. Photographien 1902-1914, ed. Helmut Friedel (Munich: Schirmer/ Mosel; Städtische Galerie im Lenbachhaus, 2007), pp. 11-44; fig. [Abbild] 1, p. 12. Münter’s original photographs are preserved at the Gabriele Münter-Johannes Eichner Stiftung in the Städtische Galerie im Lenbachhaus, Munich.

 

 

 

 

 

2. Münter and Kandinsky on terrace at Parc de Saint-Cloud. 1906-07.

Fig. 2. Gabriele Münter. Die Jahre mit Kandinsky. Photographien 1902-1914, Plate [Tafel] 120, p. 181.

 

 

 

 

 

 

3. Münter in the apartment she shared with Kandinsky in Ainmillerstrasse 36, Munich. 1913.

Fig. 3. Ibid., Plate 210, p. 271.

 

 

 

 

 

 

 

4. Münter and Kandinsky in Stockholm. 1916.

Fig. 4. Annegret Hoberg, “Gabriele Münter: Biographie und Photographie 1901 bis 1914,” (as above), fig. 53, p. 41.

 

 

 

 

 

 

5. Kandinsky. Gabriele Münter painting. 1903. Lenbachhaus.

Fig. 5. Städtische Galerie im Lenbachhaus, Munich. https://www.wikiart.org/en/wassily- kandinsky/gabriele-munter-painting-1903.

 

 

 

 

 

 

6. Caricature of Münter and Kandinsky. Tunis. 1905.

Fig. 6. Pencil drawing. 8.7 x8.6 cm. Städtische Galerie im Lenbachhaus, Munich. Reproduced in Gisela Kleine, Gabriele Münter und Wassily Kandinsky: Biographie eines Paares (Frankfurt a.M.: Insel Verlag, 1990), p. 219.

 

 

 

 

Figs. 7-12. G.F. Hartlaub, ed., Gabiele Münter: Menschenbilder in Zeichnungen. Zwanzig Lichtdrucktafeln (Berlin: Konrad Lemmer Verlag, 1952). Present author’s copy. Pages unnnumbered.

13. Matisse. Loulou, Torse nu. 1914-15.

Fig. 13. Marguerite Duthuit-Matisse and Claude Duthuit, Henri Matisse. Catalogue raisonné de l’oeuvre gravé (Paris, 1983), vol. 1, p. 45, fig. 53.

 

 

 

 

 

14. Matisse. Éventail de Mme Mallarmé. 1932͘.

Fig. 14. Mallarmé, Poésies: Eaux-fortes originales de Henri-Matisse (Lausanne: Skira, 1932), Pierpoint Morgan Library, New York. Also Matisse: I Capilavori della grafica, ed. Micchele Tavola (Pavia: Silvana Editoriale, 2010), Exh. cat. p. 34. Princeton University Library.

 

 

 

 

15. Matisse. Aragon. 1943.

Fig. 15. Aragon, Henri Matisse: A Novel, trans. Jean Stewart (New York: Harcourt Brace Jovanovich, 1972), vol. II, p. 39, fig. 34.

 

 

 

 

Figs. 16-21. Princeton University Art Museum, Princeton, N.J. Gift of Frank E. Taplin Jr., Class of 1937, and Mrs. Taplin; Gift in memory of Frank E. Taplin Jr. Class of 1937, from Margaret E. Taplin; In loving Memory of Frank and Peggy Taplin (http://artmuseum.princeton.edu/search/collections?keys=munter&sort_by=date_begin&sort_order= ASC) )

Figs. 22-27. Milwaukee Art Museum, Milwaukee, Wisconsin. Gift of Mrs. Harry Lynde Bradley. (http://collection.mam.org/search.php?search=M%C3%BCnter%2C%20Gabriele)

28. Flute Soloist Lambros Demetrios Callimachos. 1936. Oil on board. 34.93 x 26.99 cm. San Diego͘.

Fig. 28. San Diego Museum of Art, San Diego, California. Gift from the Estate of Vance E. Kondon and Liesbeth Giesberger. (http://collection.sdmart.org/4DACTION/HANDLECGI/CTN3)

 

 

 

 

 

 

29. Woman in a large hat. 1909. Oil on board. 72.2 x 48.8 cm. On extended loan to Courtauld Institute Gallery, London.

Fig. 29. Courtauld institute Art Gallery, London. (https://www.pinterest.com/pin/399061216954734138)

 

 

 

 

 

 

 


30. At the easel. c. 1910 [Self portrait]. Oil on board. 31 x 40 cm. Private collection.
Fig. 30. Private Collection. (Gabriele Münter, eine Malerin des Blauen Reiters. Exh. cat. Städtische Galerie Bietigheim-Bissingen, July-September, 1999. [Berlin and Stuttgart: Hatje Canz Verlag, 1999], Plate 22, p. 109)

 

 

 

 

 

 


31. Woman in a hat. 1910. Oil on board. 76 x 52 cm. Private collection.

Fig. 31. Private collection. (Peter Lahnstein, Münter [Ettal: Buch-Kunstverlag, 1971], Plate 8)

 

 

 

 

 

 

32.Still life with sunflowers. c. 1910. Oil on board, 47 x 68 cm. Private collection.

Fig. 32. Private collection. (Peter Lahnstein, Münter [Ettal: Buch-Kunstverlag, 1971], Plate 18)

 

 

 

 

 

 

33. Kandinsky at the tea table. 1910. Oil on canvas. 70 x 48.5 cm. Private collection.

Fig. 33. Israel Museum, Jerusalem. (http://www.imj.org.il/en/collections/192880; https://www.pinterest.com/pin/93449760993405625/)

 

 

 

 

 

Fig. 34. Sprengel Museum, Hanover.(https://www.pinterest.com/pin/492018328026199795/)

 

 

 

34. Wind and Clouds. 1910. Oil on canvas. 38 x 59 cm. Sprengel Museum, Hannover.

 

 

Fig. 35. Krannert Art Museum, University of Illinois, Champagne, Illinois. (https://illinois.edu/blog/view/6106/225498)

 

 

35. The Blue Gable. 1911. Oil on canvas. 101.6 x 113 cm. Krannert Art Museum, University of Illinois.

 

 

 

36. Man at table [Kandinsky]. 1911. Oil on board. 51 x 68 cm. Städtische Galerie im Lenbachhaus, Munich.
Fig. 36. Städtische Galerie im Lenbachhaus, Munich. (https://www.pinterest.com/pin/508625351657296406/

 

 

 

 

 

 

37. Blue Mountain. 1911. Oil on board. 32 x 45.5 cm. Städtische Galerie im Lenbachhaus, Munich.

Fig. 37. Städtische Galerie im Lenbachhaus, Munich. (Peter Lahnstein, Münter [Ettal: Buch- Kunstverlag, 1971], Plate 30)

 

 

 

 

 

 

38. Ernst Bosch. Far from Home.

Fig. 38. Wikimedia. (https://commons.wikimedia.org/wiki/Category:Ernst_Bosch#/media/File:%27Far_from_Home%27_by_Ernst_Bosch,_1869.jpg

 

 

 

Fig. 39. http://www.artnet.de/k%C3%BCnstler/willy-spatz/die-heilige-familie-r%C3%BCstet-sich- zur- flucht

39. Willy Spatz. The Holy Family prepares to Flee

 

 

Fig. 40. https://www.mutualart.com/Artwork/HERDSMAN-WITH-DOG/F541B98C4478E464

 

40. Maximilian Dasio. Herdsman with dog

 

Fig. 41. Princeton University Library.

 

41. Angelo Jank. Cover drawing for Jugend magazine, April 8, 1899.

 

 

42. Willie Graham reading in the open air. Guion, Texas. Sketch and photograph. 1900.

Fig. 42. Gabriele Münter. Die Reise nach Amerika: Photographien 1899-1900, ed. Helmut Friedel, with essays by Annegret Hoberg and others (Munich: Schirmer/Mosel and Städtische Galerie im Lenbachhaus, 2006), Plate [Tafel] 30. Gabriele Münter und Johannes Eichner Stiftung, Munich.

 

 

Figs. 43-50. Annegret Hoberg, “Gabriele Münter in Amerika,” in Gabriele Münter. Die Reise nach Amerika: Photographien 1899-1900, ed. Helmut Friedel, pp. 11-30. Sketch: fig. [Abbild] 19 (p. 25); Photo: fig. 20 (p.25), fig. 9 (p. 18), fig. 2 (p. 12), fig. 1 (p. 12), fig. 4 (p. 13), fig. 10 (p. 18), fig. 11 (p. 19), fig. 12 (p. 19).

 

Fig. 51-57. Gabriele Münter. Die Reise nach Amerika: Photographien 1899-1900, ed. Helmut Friedel, Plate [Tafel] 94 (p. 134), Plate 59 (p. 97), Plate 57 (p. 95), Plate 56 (p. 94), Plate 61 (p. 99), Plate 2 (p. 34).

58. Minna Münter (front right) and her sisters Lou Donohoo, Carrie Schreiber, and Annie Hamilton. Photo taken in Batesville, Arkansas. c. 1862.

Fig. 58. Annegret Hoberg, “Gabriele Münter in Amerika,” in Gabriele Münter. Die Reise nach Amerika: Photographien 1899-1900, ed. Helmut Friedel, pp. 11-30, fig. 3 (p. 13).

 

 

 

 

 

 

 

59. “Home sweet home at aunt Annie’s.” Plainview, Texas. 1899.

Fig. 59. Gabriele Münter. Die Reise nach Amerika: Photographien 1899-1900, ed. Helmut Friedel, Plate 1 (p. 33).

 

 

 

 

Fig. 60. Annegret Hoberg, “Gabriele Münter in Amerika,” in Gabriele Münter. Die Reise nach Amerika: Photographien 1899-1900, ed. Helmut Friedel, pp. 11-30, fig. 15 (p. 21).

60. Uncle Joe Donohoo. Pencil sketch. Plainview, Texas. December 30, 1899.

 

 

Figs. 61-65. Gabriele Münter. Die Reise nach Amerika: Photographien 1899-1900, ed. Helmut Friedel, Plate 15 (p. 47), Plate 14 (p. 46), Plate 17 (p. 50), Plate 24 (p. 58), Plate 16 (p. 49).

Figs. 66-81. Gabriele Münter. Die Jahre mit Kandinsky. Photographien 1902-1914, ed. Helmut Friedel (Munich: Schirmer/Mosel; Städtische Galerie im Lenbachhaus, 2007), Plate 60 (p. 121), Plate 67 (p. 127),  Plate 66 (p. 126), Plate 103 (p. 162), Plate 101 (p. 161), Plate 107 (p. 166), Plate 94 (p. 154), Plate 85 (p. 244), Plate 206 (p. 267), Plate 176 (p. 239), Plate 219 (p.279), Plate 221 (p. 281), Plate 215 (p. 275), Plate 199 (p. 261), Plate 203 (p. 264), Plate 207 (p. 268).

Figs. 82-90. Gabriele Münter. Die Reise nach Amerika: Photographien 1899-1900, ed. Helmut Friedel, (Munich: Schirmer/Mosel; Städtische Galerie im Lenbachhaus, 2006), Plate 19 (p. 52), Plate 25 (p. 59), Plate 113 (p. 158), Plate 104 (p. 107), Plate 105 (p. 148), Plate 107 (p. 150), Plate 108 (p. 151), Plate 111 (p. 155),  Plate 103 (p. 146).

91. Portrait of Annie Maud Hamilton Davidson. Pencil drawing. 1899. Private collection.

Fig. 91. Annegret Hoberg, “Gabriele Münter in Amerika,” in Gabriele Münter. Die Reise nach Amerika: Photographien 1899-1900, ed. Helmut Friedel, pp. 11-30, fig. 17 (p. 23).

 

 

 

 

 

Figs. 92-96. Gabriele Münter. Die Reise nach Amerika: Photographien 1899-1900, ed. Helmut Friedel, (Munich: Schirmer/Mosel; Städtische Galerie im Lenbachhaus, 2006), Plate 66 (p. 105), Plate 96 (p. 238), Plate 97 (p. 139), Plate 98 (p. 140), Plate 99 (p. 141).

97. “Jane Lee’s ‘shanty’ in snow.” Guion, Texas. March 15, 1900.

Fig. 97. Annegret Hoberg, “Gabriele Münter in Amerika,” in Gabriele Münter. Die Reise nach Amerika: Photographien 1899-1900, ed. Helmut Friedel, pp. 11-30, fig. 23 (p. 27).

 

 

 

 

 

Fig. 98, 99. Gabriele Münter. Die Reise nach Amerika: Photographien 1899-1900, ed. Helmut Friedel, (Munich: Schirmer/Mosel; Städtische Galerie im Lenbachhaus, 2006), Plate 7 (p. 39). Plate 35 (p. 71).

Fig. 100. Isabelle Jansen, “Die Bilderwelt der Amerika-Photos von Gabriele Münter,” in Gabriele Münter. Die Reise nach Amerika: Photographien 1899-1900, ed. Helmut Friedel, pp. 179-87, fig. 1 (p. 180).

100. The Wade family. Schreiberhill, near
Moorefield, Arkansas. July 1900.

Figs. 101-104. Gabriele Münter. Die Reise nach Amerika: Photographien 1899-1900, ed. Helmut Friedel, (Munich: Schirmer/Mosel; Städtische Galerie im Lenbachhaus, 2006), Plate 9 (p. 41), Plate 11 (p. 43), Plate 10 (p. 42), Plate 80 (p. 120).

105. Bessie Allen and Jennie Lee. Marshall, Texas.
1899-1900.

Fig. 105. Isabelle Jansen, “Die Bilderwelt der Amerika-Photos von Gabriele Münter,” in Gabriele Münter. Die Reise nach Amerika: Photographien 1899-1900, ed. Helmut Friedel, pp. 179-87, fig. 2 (p. 180).

 

 

 

 

 

Fig. 106-114. Gabriele Münter. Die Reise nach Amerika: Photographien 1899-1900, ed. Helmut Friedel, (Munich: Schirmer/Mosel; Städtische Galerie im Lenbachhaus, 2006), Plate 30 (p. 65), Plate 45 (p. 81), Plate 81 (p. 121), Plate 84 (p. 124), Plate 85 (p. 125), Plate 52 (p. 89), Plate 67 (p. 106), Plate 75 (p. 115), Plate 117 (p. 162).

Fig. 115. Gabriele Münter. Eine Malerin des Blauen Reiters (Berlin and Stuttgart: Hatje Canz, 1999), Plate 50 (p. 145).

115. Negerdame. Oil on canvas. 46.5 x 38
cm. 1930. Private Collection.
116.

Fig. 116. https://commons.wikimedia.org/wiki/File:Minnie_Maddern_Fiske,_seated,_Zaida_Ben- Yusuf,_1896_(crop).jpg

116. Zaida Ben Yusuf. Portrait of Minnie Maddern
Fiske, seated. 1896. “Love finds a way.”

 

Fig. 117. https://en.wikipedia.org/wiki/Alfred_Lichtwark#/media/File:Alfred_Lichtwark_1899_001.jpg

117. Rudolf Dührkoop. Portrait of Alfred
Lichtwark [Director of Hamburg Kunsthalle]. 1899.

 

 

 

Fig. 118. https://commons.wikimedia.org/wiki/File:Artists_at_Mount_Kisco_1912-restored.jpg

118. Alfred Stieglitz. Artists at Mount Kisco. 1912.

 

Fig. 119. Donna M. Lucey, Photographing Montana 1894-1928: The Life and Work of Evelyn Cameron (New York: Knopf, 1991), p. 22.

119. Evelyn Cameron. The Tusler family. Montana. 1898.

 

 

Fig. 120. Metropolitan Museum, New York. Gilman Collection, Purchase, Sam Salz Foundation Gift, 2005.

120. Alexander Gardner. Four officers. 1863-
1864.

 

 

 

Fig. 121. 

https://commons.wikimedia.org/wiki/File:Benjamin_Stone_1893_in_Brazil,_solar_eclipse_station_in_Paracuru,_Ceará.png

121. Sir Benjamin Stone. Solar eclipse station, Brazil. 1893.

 

 

Fig. 122. https://commons.wikimedia.org/wiki/File:Acland_servants_1897_by_Sarah_Acland.jpg

122. Sarah Acland. Servants. 1897.

 

 

123. Adeline Boutain. Postcard, mailed in 1908.

Fig. 123. http://www.wikiwand.com/fr/Adeline_Boutain

 

 

 

 

 

Fig. 124, 125. Donna M. Lucey, Photographing Montana 1894-1928: The Life and Work of Evelyn Cameron, p. 171, p. 33.

126. P.H. Emerson. Poling the Marsh Hay. c. 1885.

Fig. 126. Metropolitan Museum, New York. Gilman Collection, Purchase, Mrs. Walter Annenberg and The Annenberg Foundation Gift, 2005.

 

 

 

 

 

Fig. 127. https://www.mutualart.com/Artwork/Woman-raking/ED8D9424566F4661

127. P.H. Emerson. Women raking. c. 1890.

 

 

128. P.H. Emerson. The Mangold Harvest. 1887.

Fig. 128. Library of Congress Prints and Photographs Division, Washington, D.C. (cph 3g02282 //hdl.loc.gov/loc.pnp/cph.3g02282).

 

 

 

 

Fig. 129. National Portrait Gallery, London. NPG P6 (168) Given by an anonymous donor, 1973.

129. Hill and Anderson. The Misses
Grierson. 1845.

 

Fig. 130. Frühe Photographie 1840-1914, ed. Eva Moser (Friedrichshafen: Verlag Robert Gessler, 1985), p. 75.

130. Ludwig Taescher. Portrait of a child. c. 1873.

 

 

Fig. 131. Amateur photograph. Source could not be traced.

131. Unknown photographer, Frankfurt am Main. Children picking fruit. 1890.

 

 

 

Fig. 132. Donna M. Lucey, Photographing Montana 1894-1928: The Life and Work of Evelyn Cameron, p. 136.

132. Evelyn Cameron. Portrait of a child.

 

 

Fig. 133. Montana Memory Project http://mtmemory.org/cdm/singleitem/collection/p267301coll3/id/4074/rec/1

133. Evelyn Cameron. Downtown Fallon, Montana. 1904.

 

 

Fig. 134. Donna M. Lucey, Photographing Montana 1894-1928: The Life and Work of Evelyn Cameron p. 34.

134. Evelyn Cameron. Family portrait of Hamlins and Braleys. Near Terry, Montana.
1902.