The film Nuremberg depicts the establishment and process of the Nuremberg trials following the Allied victory during World War II. It was fascinating to see how these legal officials created a system of international accountability for mass atrocities, or “crimes against humanity,” essentially from scratch, grounding the entire trial in a shared sense of global justice and responsibility. It was also interesting to see the ways in which the four powers represented in the judgement for the trial – the U.S., U.K., France, and Russia – interacted with each other and external players. As Secretary Elsie Douglas says at one point to chill political tensions within a Christmas party, “Frankly, I can’t keep track of all the politics in this room!”
One of the most poignant parts of the film was the use of visual evidence during the trial. Captured by Allied soldiers liberating Nazi concentration camps, the footage depicts the horrific realities of those subjected to Nazi camps: emaciated bodies, human remains in ovens, and mass graves piled high with corpses. Yet, it wasn’t the footage itself that struck me most, but rather the difference between my reaction to it as opposed to those in the courtroom. Viewers heard gasps, cries, and people running out of the room as they saw these images. However, I, as a viewer in 2025, was not moved to the same emotional depths as those watching live. Admittedly, I had seen that footage before, as well as heard many stories of the indescribable and horrific violence and torture that occurred within the camps. But these reactions made me start to think about the way we interact with violent or graphic footage presently. In today’s digital world, we are exposed to graphic and horrifying footage in an almost constant stream. Videos of murder and mass terrorist attacks from around the world find their way to the internet and into the pockets of billions of people globally. I wonder if it is more difficult to garner international support for mass atrocity accountability mechanisms because we are all so desensitized to the sight of violence on such a massive scale?
These questions felt even more topical in light of last week’s readings and short films on Open Source Investigations. With the rising capability and influence of artificial intelligence, video footage is easily altered or faked – even further contributing to our general desensitization to wartime or other violent footage. After all, why trust any video or photograph that could be faked? Therefore, in addition to the apathy the internet garners towards this footage, mistrust also lessens its power. It’s an extremely chilling thought, especially in a world where international laws are increasingly violated with seemingly very few consequences, and where public fatigue often risks sliding into indifference.