{"id":56,"date":"2018-04-21T16:52:16","date_gmt":"2018-04-21T16:52:16","guid":{"rendered":"http:\/\/commons.princeton.edu\/lgossman\/?p=56"},"modified":"2018-04-24T18:01:02","modified_gmt":"2018-04-24T18:01:02","slug":"gabriele-munter-photographer-of-america-1898-1900","status":"publish","type":"post","link":"https:\/\/commons.princeton.edu\/lgossman\/2018\/04\/21\/gabriele-munter-photographer-of-america-1898-1900\/","title":{"rendered":"GABRIELE M\u00dcNTER PHOTOGRAPHER OF AMERICA 1898-1900"},"content":{"rendered":"<p>A productive painter of\u00a0<em>der Blaue Reiter<\/em>\u00a0school of expressionism, Gabrielle\u00a0M\u00fcnter was overshadowed during her lifetime by her extraordinarily gifted teacher and lover, Wasilly Kandinsky. There is almost no awareness of M\u00fcnter\u2019s American connection, in particular, the hundreds of photographs she took in Missouri, Arkansas, and Texas in 1898-1900. These photographs are the focus of this study.<\/p>\n<p><!--more--><a href=\"http:\/\/commons.princeton.edu\/munter\/\" target=\"_blank\" rel=\"noopener\">Link to online version of this essay.<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>A productive painter of\u00a0der Blaue Reiter\u00a0school of expressionism, Gabrielle\u00a0M\u00fcnter was overshadowed during her lifetime by her extraordinarily gifted teacher and lover, Wasilly Kandinsky. There is almost no awareness of M\u00fcnter\u2019s American connection, in particular, the hundreds of photographs she took in Missouri, Arkansas, and Texas in 1898-1900. These photographs are the focus of this study.<\/p>\n","protected":false},"author":7,"featured_media":80,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[1],"tags":[],"class_list":["post-56","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/commons.princeton.edu\/lgossman\/wp-content\/uploads\/sites\/64\/2018\/04\/107-1.jpg","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p9QPBi-U","_links":{"self":[{"href":"https:\/\/commons.princeton.edu\/lgossman\/wp-json\/wp\/v2\/posts\/56","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/commons.princeton.edu\/lgossman\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/commons.princeton.edu\/lgossman\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/commons.princeton.edu\/lgossman\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/commons.princeton.edu\/lgossman\/wp-json\/wp\/v2\/comments?post=56"}],"version-history":[{"count":14,"href":"https:\/\/commons.princeton.edu\/lgossman\/wp-json\/wp\/v2\/posts\/56\/revisions"}],"predecessor-version":[{"id":114,"href":"https:\/\/commons.princeton.edu\/lgossman\/wp-json\/wp\/v2\/posts\/56\/revisions\/114"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/commons.princeton.edu\/lgossman\/wp-json\/wp\/v2\/media\/80"}],"wp:attachment":[{"href":"https:\/\/commons.princeton.edu\/lgossman\/wp-json\/wp\/v2\/media?parent=56"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/commons.princeton.edu\/lgossman\/wp-json\/wp\/v2\/categories?post=56"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/commons.princeton.edu\/lgossman\/wp-json\/wp\/v2\/tags?post=56"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}