{"id":69,"date":"2024-12-11T22:24:48","date_gmt":"2024-12-12T03:24:48","guid":{"rendered":"https:\/\/commons.princeton.edu\/lao354-f24\/?p=69"},"modified":"2024-12-20T21:42:18","modified_gmt":"2024-12-21T02:42:18","slug":"marketing-latinidad-bad-bunnys-use-of-identity","status":"publish","type":"post","link":"https:\/\/commons.princeton.edu\/lao354-f24\/marketing-latinidad-bad-bunnys-use-of-identity\/","title":{"rendered":"Marketing Latinidad: Bad Bunny&#8217;s Use of Identity as a Branding Tool"},"content":{"rendered":"<p><span style=\"font-weight: 400\">A prevailing alignment with Latinidad in the United States by individuals with ties to the Latin American region points to a successful attempt at organizing its heterogeneous members under a single category in order to fulfill varying purposes. Consequently, an examination of the motives behind the decisions to carry out this alignment, as well as an understanding of the grounds on which this identification was developed, becomes necessary to understand the success of this broader categorization. In particular, the fabrication of a term to categorize individuals solely on the basis of language and geography has allowed for the development of a market that compartmentalizes diverse tastes.<\/span><\/p>\n<h3><strong><i>Understanding Latinidad<\/i><\/strong><\/h3>\n<p><span style=\"font-weight: 400\">The decision to categorize oneself as Latino may act as a consequence of the search for community, or simply of a submission to the status quo. Irrespective of one\u2019s motivations, and even of one\u2019s awareness that these motives exist, this umbrella term yields a generalization of tastes that belong to those that fall under it. Thus, this categorization assumes a relationship to capitalistic practices where establishments are able to perform methods of appealing to the general tastes assigned to Latinidad. Such is the case for Bad Bunny whose continuous public recognition of his Latinidad has played a significant role in his ability to amass success in the United States. Consequently, there is room to explore his selective identifications with Latinidad as a marketing tool, and the effects of this alignment on his relationship with his U.S.-Latino fanbase.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400\">Judgments on the validity of the Latino identity have diverted from understanding this identity as a naturally-occuring categorization due to its widespreadness. The initial rejection of a panethnic identity by those set to fall under this categorization stands in stark contrast to the presence of Spotify\u2019s \u201cViva Latino\u201d playlist, for example (Mora 3). Perspectives on the development of Latinidad consider its fabrication to be a result of the government\u2019s need to group members of a geographic region for purposes of the Census, but also as a way for \u201cmedia networks\u2026 hoping to connect Mexican American, Cuban American, and Puerto Rican audiences across the country,\u201d as well as a way of securing grant funding for the benefit of Latinos (4-5).<\/span><\/p>\n<p><span style=\"font-weight: 400\">Parallel to numerous explanations for the historical development of Latinidad, there are just as many perspectives on whether or not this identity is justified in its existence. Negative sentiments toward this identity arise from experiences of rejection with the community associated with Latinidad as well as feelings of constraint that result from this classification (Salazar). Additional considerations of vast race diversity amongst those categorized within the Latino identity, as well as the political implications of classifying people with different priorities under one class, drive many away from accepting this term (Salazar). However, there is a simultaneous push for acceptance of Latinidad by reworking its scope to \u201cconstitute the heterogeneous experiences of various Latina\/o national groups\u201d (Aparicio 115). Despite diverging attitudes towards Latinidad, there seems to be an overarching identification with Latinidad that has ultimately aided in the prosperity of a market that generalizes and appeals to the tastes of this group (Brackett 778).<\/span><\/p>\n<h3><strong><i>Marketing Latinidad<\/i><\/strong><\/h3>\n<p><span style=\"font-weight: 400\">The development of a Latino market occurred on the basis of a shared language that pointed to \u201ca panethnic collective\u201d (Mora 129). The use of data to understand the consumption tastes of Latinos has, however, led to an understanding of Latinos as a \u201cmass of undifferentiated consumers\u201d (Davila 72). However, this has raised visibility for the strong purchasing power of Latinos and the need to create products that appeal to their consumer needs, even if such products appeal to a homogenized taste. Furthermore, the success of these homogenizing processes have become apparent through Bad Bunny\u2019s ability to dominate the U.S. mainstream market, perhaps through his strong appeal to Latinos within this market.<\/span><\/p>\n<h3><strong><i>Identifying with Latinidad<\/i><\/strong><\/h3>\n<p><iframe loading=\"lazy\" title=\"Bad Bunny - Getting Into Acting, Staying True to Who He Is &amp; Training for the WWE | The Daily Show\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/8ilaxXnPKkM?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<h6><span style=\"font-weight: 400\">Bad Bunny: \u201cI\u2019m Latino, I\u2019m Puerto Rican\u2026 People can feel that\u201d (4:40-8)<\/span><\/h6>\n<p><span style=\"font-weight: 400\">Bad Bunny\u2019s appeal to the Latino market occurs through his explicit identification with Latinidad throughout public forums. While his relationship to Puerto Rico, its culture and people has been expressed in a way that does not leave room to question its authenticity, his relationship to Latinidad retains space for exploration.<\/span><\/p>\n<p><span style=\"font-weight: 400\">Bad Bunny\u2019s relationship with Latinidad has found expression through mediums ranging from his song lyrics to interviews and newspaper articles. However, such expressions also display a complicated attachment to this term. While in a GQ article he may refer to perceptions of him as \u201cthis guy, who\u2019s Latino\u201d (Chocano), in a Rolling Stones interview, he expresses having \u201cfelt rejection in the U.S\u2026. because of [his] being Latino\u201d (Lopez). Alongside his self-identification with Latinidad, there is also a demonstrated understanding of the experiences of Latinos within the United States.<\/span><\/p>\n<p><span style=\"font-weight: 400\">While Benito\u2019s self-conception as a Latino has had explicit declarations, he also affirmed in the same GQ article that he\u2019s \u201cnever made a song thinking\u2026 \u2018This is to capture the gringo audience.\u2019\u201d Rather, he \u201cmakes songs as if only Puerto Ricans were going to listen to them\u201d and \u201cforget[s] the entire world listens to [him]\u201d (Chocano). This can be understood to convey a lack of sustained consideration for his overall U.S. Latino audience, thus diverging from his apparent use of Puerto Rican and Latino as interchangeable terms in the above interview with Trevor Noah. This marks a difference in attitude between Bad Bunny\u2019s authentic Puerto Rican identity and his selectivity in appealing to Latinidad.<\/span><\/p>\n<p><iframe loading=\"lazy\" title=\"Bad Bunny - Tit\u00ed Me Pregunt\u00f3 (Video Oficial) | Un Verano Sin Ti\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/Cr8K88UcO0s?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<h6><span style=\"font-weight: 400\">Bad Bunny references a number of Latino identities in the Tit\u00ed Me Pregunt\u00f3 music video: &#8220;Tengo una <strong>colombiana<\/strong> \/ <\/span><span style=\"font-weight: 400\">Que me escribe to&#8217; los d\u00eda&#8217; \/ <\/span><span style=\"font-weight: 400\">Y una <strong>mexicana<\/strong> que ni yo sab\u00eda \/ <\/span><span style=\"font-weight: 400\">Otra en <strong>San Antonio<\/strong> que me quiere todav\u00eda \/ <\/span><span style=\"font-weight: 400\">Y las de <strong>PR<\/strong> que todita&#8217; son m\u00eda&#8217; \/ <\/span><span style=\"font-weight: 400\">Una <strong>dominicana<\/strong> que es uva bomb\u00f3n \/ <\/span><span style=\"font-weight: 400\">Uva, uva bomb\u00f3n \/ <\/span><span style=\"font-weight: 400\">La de <strong>Barcelona<\/strong> que vino en avi\u00f3n\u201d\u00a0<\/span><\/h6>\n<p><span style=\"font-weight: 400\">Bad Bunny\u2019s stated affinity with Latinidad, an identity developed in a U.S. context, maintains elements of authenticity. In his conversation with Noah, he expresses a belief that his Latinidad should feel obvious to those watching him. However, taken in tandem with an even stronger connection to his Puerto Ricanness and claims that his music is made for this audience only, it becomes difficult to view his connection to Latinidad as occurring on par with his relationship to Puerto Rico. Consequently, there is room to consider the presence of another element than merely an authentic connection to Latinidad, namely the use of a marketing strategy.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><iframe loading=\"lazy\" title=\"Bad Bunny - El Apag\u00f3n - Aqu\u00ed Vive Gente (Video Oficial) | Un Verano Sin Ti\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/1TCX_Aqzoo4?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<h6><span style=\"font-weight: 400\">Bad Bunny\u2019s \u201cEl Apag\u00f3n\u201d song and music video dedicated to bringing awareness to the ongoing issues of blackouts occurring in Puerto Rico<\/span><\/h6>\n<p><span style=\"font-weight: 400\">Benito\u2019s origins in Puerto Rico have been placed at the forefront of his identity through his continuous declarations of love for the island through lyrical and visual references as well as advocacy for issues, all related to Puerto Rico. Centering this aspect of his identity has simultaneously developed into an important aspect of his brand identity as an artist, evidenced by his creation of a specific brand of PFKNR. Additionally, he has tied his care for the island into his music through the release of a documentary for El Apag\u00f3n. Interestingly, within a song dedicated to Puerto Rico, he contends that \u201cahora todos quieren ser Latino.\u201d Thus, there is still evidence of attempts to appeal to a broader Spanish-speaking audience beyond Puerto Ricans.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-78\" src=\"https:\/\/commons.princeton.edu\/lao354-f24\/wp-content\/uploads\/sites\/411\/2024\/12\/Screenshot-2024-12-11-at-12.31.50-AM-300x158.png\" alt=\"\" width=\"444\" height=\"234\" srcset=\"https:\/\/commons.princeton.edu\/lao354-f24\/wp-content\/uploads\/sites\/411\/2024\/12\/Screenshot-2024-12-11-at-12.31.50-AM-300x158.png 300w, https:\/\/commons.princeton.edu\/lao354-f24\/wp-content\/uploads\/sites\/411\/2024\/12\/Screenshot-2024-12-11-at-12.31.50-AM-1024x540.png 1024w, https:\/\/commons.princeton.edu\/lao354-f24\/wp-content\/uploads\/sites\/411\/2024\/12\/Screenshot-2024-12-11-at-12.31.50-AM-768x405.png 768w, https:\/\/commons.princeton.edu\/lao354-f24\/wp-content\/uploads\/sites\/411\/2024\/12\/Screenshot-2024-12-11-at-12.31.50-AM-516x272.png 516w, https:\/\/commons.princeton.edu\/lao354-f24\/wp-content\/uploads\/sites\/411\/2024\/12\/Screenshot-2024-12-11-at-12.31.50-AM.png 1191w\" sizes=\"auto, (max-width: 444px) 100vw, 444px\" \/><\/p>\n<h3><strong><i>Branding Latinidad<\/i><\/strong><\/h3>\n<p><span style=\"font-weight: 400\">Developing a brand as successfully as Bad Bunny has necessitates the crafting of an identity with the ability to attract a widespread market. This can be done by \u201cforming strong brand narratives\u201d which can include the \u201cconstruction of \u2018a recognisable look, name and style\u2019\u201d (Preece &amp; Kerrigan 1210). Furthermore, the construction of a brand requires a number of actors in order to add meaning to this branding (1218). This can be applied to Bad Bunny\u2019s appeals to Latinidad and those involved within this categorization. In developing an explicit relationship to Latinidad, Bad Bunny centers this identity in his artistic brand, thus forging a space for him to connect with U.S. Latinos. However, classifications of his appeals to Latinidad as a marketing tactic that is based on building relationships with Latinos remains unavoidable.<\/span><\/p>\n<p><span style=\"font-weight: 400\">The video below evidences Benito\u2019s awareness of his ability to produce shifts in the Latino market through his own creation of trends. However, his understanding of the market over the years seems to have evolved to include tactics of explicit references to Latinidad. Beyond his public identification with the Latino identity, his acknowledgment of other identities within the Latino category in \u201cTit\u00ed Me Pregunt\u00f3\u201d act as a method of appealing to the Latino market. Furthermore, the music video\u2019s tribute to Dominican culture in New York can act as an attestation to his attempts to connect to Latinos beyond just Puerto Ricans.<\/span><\/p>\n<p><iframe loading=\"lazy\" title=\"Bad Bunny on Breaking the Mold in the Latino Market\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/DbUdZYRgpaU?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<h6><span style=\"font-weight: 400\">Bad Bunny on his understanding of the Latino market<\/span><\/h6>\n<p><span style=\"font-weight: 400\">Without questioning the authenticity of Bad Bunny\u2019s identification with the Latino identity, his awareness of the success of developing a public relationship to its people is also indisputable. Through his explicit identification and appreciation of this identity, Bad Bunny has managed to form a relationship with U.S. Latinos. Consequently, this has allowed him to amass an unprecedented success largely due to the reciprocated affinity for Bad Bunny expressed by U.S. Latinos. While Bad Bunny continuously makes appeals to Latinidad, whether to purposefully find market success or because of an authentic desire to find community in the U.S., Latinos are able to find haven in an artist that demonstrates continuous appreciation for their identity. Still, the relationship produced between artist and identity creates room for both an appreciation for and an exploration of the numerous techniques and degrees of authenticity involved.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: center\"><span style=\"font-weight: 400\">Works Cited<\/span><\/p>\n<p><span style=\"font-weight: 400\">\u201cBad Bunny on Breaking the Mold in the Latino Market.\u201d Youtube, REMEZCLA, https:\/\/youtu.be\/DbUdZYRgpaU?si=LzsUag2H4mBfNvA0.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400\">\u201cBad Bunny &#8211; Staying True to His Culture &amp; Identity.\u201d The Daily Show, YouTube, https:\/\/youtu.be\/8ilaxXnPKkM?si=0OgEepvNXmQkuKp.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400\">Chocano, Carina . \u201cThe World\u2019s Newest Superhero: Bad Bunny.\u201d GQ, 24 May 2022, www.gq.com\/story\/bad-bunny-june-cover-profile.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400\">Brackett, David. \u201cThe Politics and Practice of \u2018Crossover\u2019 in American Popular Music, 1963 to 1965.\u201d The Musical Quarterly, vol. 78, no. 4, 1994, pp. 774\u201397. JSTOR, http:\/\/www.jstor.org\/stable\/742509.<\/span><\/p>\n<ol start=\"2014\">\n<li><span style=\"font-weight: 400\"> Cristina Mora. Making Hispanics\u202f: How Activists, Bureaucrats, and Media Constructed a New American. University of Chicago Press, 2014. EBSCOhost, <\/span><a href=\"http:\/\/search.ebscohost.com\/login.aspx?direct=true&amp;db=nlebk&amp;AN=2403429&amp;site=ehost-live\"><span style=\"font-weight: 400\">search.ebscohost.com\/login.aspx?direct=true&amp;db=nlebk&amp;AN=2403429&amp;site=ehost-live<\/span><\/a><span style=\"font-weight: 400\">.<\/span><\/li>\n<\/ol>\n<p><span style=\"font-weight: 400\">Lopez, Julyssa. \u201cBad Bunny Conquered the World. Now What?\u201d Rolling Stone, Rolling Stone, 29 Oct. 2024, www.rollingstone.com\/music\/music-features\/bad-bunny-coachella-el-apagon-controversy-future-interview-1234770225\/.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400\">Lopez Mari, Kacho, Director. El Apag\u00f3n &#8211; Aqu\u00ed Vive Gente. Journalism by Bianca Graulau, YouTube, https:\/\/youtu.be\/1TCX_Aqzoo4?si=89ESMGe06HWuoiJK.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400\">Preece, C., &amp; Kerrigan, F. (2015). Multi-stakeholder brand narratives: an analysis of the construction of artistic brands. Journal of Marketing Management, 31(11\u201312), 1207\u20131230. <\/span><a href=\"https:\/\/doi-org.ezproxy.princeton.edu\/10.1080\/0267257X.2014.997272\"><span style=\"font-weight: 400\">https:\/\/doi-org.ezproxy.princeton.edu\/10.1080\/0267257X.2014.997272<\/span><\/a><\/p>\n<p><span style=\"font-weight: 400\">Salazar, Miguel. \u201cThe Problem with Latinidad.\u201d The Nation, 16 Sept. 2019, www.thenation.com\/article\/archive\/hispanic-heritage-month-latinidad\/.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400\">Stillz, Director. Tit\u00ed Me Pregunt\u00f3. YouTube, 2022, https:\/\/youtu.be\/Cr8K88UcO0s?si=S3UBvao1oZCSLO9O.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400\">&#8220;31. Latinidad\/es: Frances r. aparicio&#8221;. <\/span><i><span style=\"font-weight: 400\">Keywords for Latina\/o Studies<\/span><\/i><span style=\"font-weight: 400\">, edited by Deborah R. Vargas, Lawrence La Fountain-Stokes and Nancy Raquel Mirabal, New York, USA: New York University Press, 2017, pp. 113-117. <\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>A prevailing alignment with Latinidad in the United States by individuals with ties to the Latin American region points to a successful attempt at organizing its heterogeneous members under a<strong>&hellip;<\/strong><\/p>\n","protected":false},"author":6276,"featured_media":294,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4],"tags":[],"class_list":["post-69","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-latinidad"],"_links":{"self":[{"href":"https:\/\/commons.princeton.edu\/lao354-f24\/wp-json\/wp\/v2\/posts\/69","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/commons.princeton.edu\/lao354-f24\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/commons.princeton.edu\/lao354-f24\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/commons.princeton.edu\/lao354-f24\/wp-json\/wp\/v2\/users\/6276"}],"replies":[{"embeddable":true,"href":"https:\/\/commons.princeton.edu\/lao354-f24\/wp-json\/wp\/v2\/comments?post=69"}],"version-history":[{"count":4,"href":"https:\/\/commons.princeton.edu\/lao354-f24\/wp-json\/wp\/v2\/posts\/69\/revisions"}],"predecessor-version":[{"id":82,"href":"https:\/\/commons.princeton.edu\/lao354-f24\/wp-json\/wp\/v2\/posts\/69\/revisions\/82"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/commons.princeton.edu\/lao354-f24\/wp-json\/wp\/v2\/media\/294"}],"wp:attachment":[{"href":"https:\/\/commons.princeton.edu\/lao354-f24\/wp-json\/wp\/v2\/media?parent=69"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/commons.princeton.edu\/lao354-f24\/wp-json\/wp\/v2\/categories?post=69"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/commons.princeton.edu\/lao354-f24\/wp-json\/wp\/v2\/tags?post=69"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}