{"id":106,"date":"2025-06-21T16:31:44","date_gmt":"2025-06-21T13:31:44","guid":{"rendered":"https:\/\/commons.princeton.edu\/jrn350-su25\/?p=106"},"modified":"2025-07-27T19:52:10","modified_gmt":"2025-07-27T16:52:10","slug":"pursuing-local-life-in-pangrati","status":"publish","type":"post","link":"https:\/\/commons.princeton.edu\/jrn350-su25\/2025\/06\/21\/pursuing-local-life-in-pangrati\/","title":{"rendered":"Pursuing local life in Pangrati"},"content":{"rendered":"<p><em>Isabella Dail<\/em><\/p>\n<p><span style=\"font-weight: 400\">No matter what street corner you\u2019re stationed on, you\u2019re likely to see graffiti in the Pangrati region of Athens. Some of it\u2019s in English, some Greek. Some of it\u2019s political, some isn\u2019t. All of it\u2013along with the vibrant street murals, bustling caf\u00e9s, and thriving student population\u2013suggests that Pangrati houses a vivacious artistic, political, and intellectual scene.<\/span><\/p>\n<p><span style=\"font-weight: 400\">As a van carried me from the academic hub to my apartment, I was immediately struck by a sense of community. As the driver rounded a particularly tight corner, he reached out the window to shut the side-view mirror, which gave him the mere centimeters needed to complete the turn without denting a parked car. The quaint roads embodied the intimacy of Pangrati that I have come to love. I\u2019ve seen individuals of all ages donning trendy sunglasses and tote bags bump into one another and say a quick hello. From what I\u2019ve seen, there\u2019s a real sense of connection in Pangrati, and I\u2019ve been able to speak to locals and other students with equal ease.<\/span><\/p>\n<p><span style=\"font-weight: 400\">I was also struck by a sense of juxtaposition. The quiet interactions between older locals co-exists with a flourishing community of young people, including up and coming artists. Sofia Psiridoti recently founded her concept art studio Bok Choy, which focuses on politically and personally motivated art, in Pangrati. When I arrived at her studio, she greeted me in vintage clothes with a pickle jar in hand. As we spoke, she attempted to open her snack with the assistance of a lighter that she held to the rim.<\/span><\/p>\n<p><span style=\"font-weight: 400\">\u201cI want some slow living inside the city, and maybe this part of Athens agrees with my political beliefs, has a lot of art and also has more human connections,\u201d she said.<\/span><\/p>\n<p><span style=\"font-weight: 400\">Her studio\u2019s curation embodies the nuance of the Pangrati that I\u2019ve seen. Kitschy pop art pieces sit beside serious political statements. Sexual innuendos mix with heartbreaking personal stories on the studio\u2019s walls. <\/span><i><span style=\"font-weight: 400\">Eat your vegetables<\/span><\/i><span style=\"font-weight: 400\">, said one painting, eggplants covering the rest of the canvas. A tarp with poetic messages describing Psiridoti\u2019s recent heartbreak hung nearby.\u00a0\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400\">Her layered messages mimicked the complexity of voices I\u2019ve encountered while traversing the region\u2019s hilly streets. A comedy bar faces an Orthodox church. \u201cNO BORDERS NO NATIONS\u201d sprawls across a facade in an eye-catching hot pink paint. A formal art <\/span><a href=\"https:\/\/goulandris.gr\/en\/\"><span style=\"font-weight: 400\">institution<\/span><\/a><span style=\"font-weight: 400\"> like the Basil and Elise Goulandris foundation and Bok Choy call the same area home.<\/span><\/p>\n<p><span style=\"font-weight: 400\">Along with the rest of the arts scene in Pangrati, the evolution of Psiridoti\u2019s own work dovetails with shifts in national politics.<\/span><\/p>\n<p><span style=\"font-weight: 400\">\u201cI cannot live my life normally and make art while every day I see people dying. So the problem now is that I cannot make art. I\u2019m just trying to do the pop stuff that the shop sells,\u201d she said about the conflict in Gaza.<\/span><\/p>\n<p><span style=\"font-weight: 400\">From my observations, Pangrati bridges differences, whether that be in age, nationality, or aesthetic style. Yet, suggested by various pockets of graffiti, the region united on one topic: political views. Some of the graffiti, especially messages on the conflict in Gaza, also point to larger national issues.<\/span><\/p>\n<p><span style=\"font-weight: 400\">In 2023, John Psarapoulous <\/span><a href=\"https:\/\/www.aljazeera.com\/news\/2023\/10\/31\/how-greece-became-one-of-israels-best-friends\"><span style=\"font-weight: 400\">wrote<\/span><\/a><span style=\"font-weight: 400\"> that the Greek government\u2019s support for Israel could \u201crankle\u201d the public, who favor neutrality. While graffiti in Pangrati is far more prominent than other regions of Athens I\u2019ve visited, our temporary home shows signs it aligns itself with Palestine, despite the government backing Israel.<\/span><\/p>\n<p><span style=\"font-weight: 400\">During my first week in Pangrati, I\u2019ve come to both look past and deeply into the graffiti that immediately struck my attention upon arrival. Pangrati, above everything else, is a community, one that holds locals, international students, art, food, nightlife, religion, and politics together. At its heart, I\u2019ve come to appreciate Pangrati as a region that carves its own identity while still engaging in the national conversation.<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Isabella Dail No matter what street corner you\u2019re stationed on, you\u2019re likely to see graffiti in the Pangrati region of Athens. Some of it\u2019s in English, some Greek. Some of it\u2019s political, some isn\u2019t. All of it\u2013along with the vibrant street murals, bustling caf\u00e9s, and thriving student population\u2013suggests that Pangrati houses a vivacious artistic, political, &hellip; <\/p>\n<p class=\"link-more\"><a href=\"https:\/\/commons.princeton.edu\/jrn350-su25\/2025\/06\/21\/pursuing-local-life-in-pangrati\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Pursuing local life in Pangrati&#8221;<\/span><\/a><\/p>\n","protected":false},"author":5465,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[11,4],"tags":[],"class_list":["post-106","post","type-post","status-publish","format-standard","hentry","category-culture","category-week-1"],"_links":{"self":[{"href":"https:\/\/commons.princeton.edu\/jrn350-su25\/wp-json\/wp\/v2\/posts\/106","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/commons.princeton.edu\/jrn350-su25\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/commons.princeton.edu\/jrn350-su25\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/commons.princeton.edu\/jrn350-su25\/wp-json\/wp\/v2\/users\/5465"}],"replies":[{"embeddable":true,"href":"https:\/\/commons.princeton.edu\/jrn350-su25\/wp-json\/wp\/v2\/comments?post=106"}],"version-history":[{"count":1,"href":"https:\/\/commons.princeton.edu\/jrn350-su25\/wp-json\/wp\/v2\/posts\/106\/revisions"}],"predecessor-version":[{"id":107,"href":"https:\/\/commons.princeton.edu\/jrn350-su25\/wp-json\/wp\/v2\/posts\/106\/revisions\/107"}],"wp:attachment":[{"href":"https:\/\/commons.princeton.edu\/jrn350-su25\/wp-json\/wp\/v2\/media?parent=106"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/commons.princeton.edu\/jrn350-su25\/wp-json\/wp\/v2\/categories?post=106"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/commons.princeton.edu\/jrn350-su25\/wp-json\/wp\/v2\/tags?post=106"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}