{"id":37,"date":"2018-09-16T23:19:49","date_gmt":"2018-09-16T23:19:49","guid":{"rendered":"https:\/\/commons.princeton.edu\/gendersexualityandmedia\/?page_id=37"},"modified":"2018-09-16T23:19:49","modified_gmt":"2018-09-16T23:19:49","slug":"class-schedule","status":"publish","type":"page","link":"https:\/\/commons.princeton.edu\/gendersexualityandmedia\/class-schedule\/","title":{"rendered":"Class Schedule"},"content":{"rendered":"<p>9\/17: <strong>Introduction: 1920s &amp; 30s, the \u201cNew Woman,\u201d Urban Space, and New Media Audiences<\/strong><\/p>\n<p>&nbsp;<\/p>\n<p>Screening: <em>Stella Dallas<\/em> (King Vidor, US, 1937)<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>9\/24: <strong>1940s Ships &amp; Sailors, \u201cRosie the Riveter,\u201d Stars as Exports, &amp; the Zoot Suit Riots<\/strong><\/p>\n<ul>\n<li>Jane Marcellus, \u201cBo\u2019s\u2019n\u2019s Whistle: Representing \u2018Rosie the Riveter\u2019 on the Job\u201d<\/li>\n<li>James Mandrell, &#8220;Carmen Miranda Betwixt and Between, or, Neither Here nor There.&#8221;<\/li>\n<li>Eduardo Obreg\u00f3n Pag\u00e1n, \u201cLos Angeles, Geopolitics and the Zoot Suit Riot, 1943\u201d<\/li>\n<li>Ara Osterweill, \u201cAmerica Year Zero\u201d<\/li>\n<\/ul>\n<p>Primary texts:<\/p>\n<ul>\n<li>Fred Hogue, \u201cSocial Eugenics\u201d (weekly column), <em>Los Angeles Times<\/em>, 8 June 1941<\/li>\n<li><em>Washington Post<\/em> \u201cZoot Suit Riot\u201d article collection.<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p>Screening: <em>The Gang\u2019s All Here<\/em> (Busby Berkeley, US, 1943)<\/p>\n<p><em>Fireworks<\/em> (Kenneth Anger, US, 1947)<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>10\/1: <strong>1950s-60s Suburbia, Motherhood, Housewifery, &amp; The Pill<\/strong><\/p>\n<ul>\n<li>Lynn Spigel, \u201cTelevision and the Family Circle\u201d<\/li>\n<li>Laura Briggs, \u201cDemon Mothers in the Social Laboratory: Development, Overpopulation, and \u2018The Pill\u201d\u201d<\/li>\n<li>Janice Radway, \u201cWomen Read the Romance\u201d<\/li>\n<\/ul>\n<p>Primary texts:<\/p>\n<ul>\n<li>Margaret Sanger, \u201cThe Eugenic Value of Birth Control Propaganda\u201d <a href=\"https:\/\/www.nyu.edu\/projects\/sanger\/webedition\/app\/documents\/show.php?sangerDoc=238946.xml\">https:\/\/www.nyu.edu\/projects\/sanger\/webedition\/app\/documents\/show.php?sangerDoc=238946.xml<\/a><\/li>\n<li>Betty Friedan, \u201cThe Feminine Mystique\u201d excerpt (pages 1-3)<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p>Screening: <em>Written on the Wind<\/em> (Douglas Sirk, US, 1956); Maya Deren experimental short: DVD, 15 min.; Matthias Mueller, <em>Home Stories<\/em>.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>10\/8: <strong>1950s-60s Urban Living, Bachelor Pads, &amp; Aspirational Media<\/strong><\/p>\n<ul>\n<li>Pamela Robertson Wojcik, \u201c\u2018We Like Our Apartment\u2019: The Playboy Indoors\u201d<\/li>\n<li>Laurie Ouellette, \u201cInventing the Cosmo Girl\u201d<\/li>\n<li>David Johnson, \u201cPhysique Pioneers: The Politics of 1960s Gay Consumer Culture\u201d<\/li>\n<\/ul>\n<p>Primary texts:<\/p>\n<ul>\n<li>\u201cThe Playboy Townhouse,\u201d <em>Playboy <\/em>(May 1962) <a href=\"http:\/\/www.meathaus.com\/townhouse\/\">http:\/\/www.meathaus.com\/townhouse\/<\/a><\/li>\n<li><em>Tomorrow\u2019s Man<\/em> covers and excerpts at <a href=\"http:\/\/www.pulpinternational.com\/pulp\/keyword\/Tomorrow%E2%80%99s+Man.html\">http:\/\/www.pulpinternational.com\/pulp\/keyword\/Tomorrow%E2%80%99s+Man.html<\/a><\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p>Screening: <em>Pillow Talk<\/em> (Michael Gordon, US, 1959)<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>10\/15: <strong>Close Reading Session: Laura Mulvey &amp; Alfred Hitchcock<\/strong><\/p>\n<ul>\n<li>Laura Mulvey, \u201cVisual Pleasure and Narrative Cinema\u201d and \u201cAfterward\u201d<\/li>\n<li>Janet Bergstrom, \u201cEnunciation and Sexual Difference (Part 1)\u201d [do your best, I don\u2019t expect that the psychoanalytic theory will make sense on the first (or fourth) reading]<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p>Screening: <em>The Birds<\/em> (Alfred Hitchcock, US, 1963)<\/p>\n<p><strong>Initial project pitch due<\/strong><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>10\/22:<strong> 1960s-70s: Sexual Revolutions, Collective Practice, &amp; Strategies from the Underground<\/strong><\/p>\n<ul>\n<li>Audre Lorde, \u201cThe Uses of the Erotic\u201d<\/li>\n<li>Jessi Gan, \u201c\u2018Still at the Back of the Bus\u2019: Sylvia Rivera\u2019s Struggle\u201d<\/li>\n<li>Margaret Galvan, \u201cFeminism Underground: The Comics Rhetoric of Lee Marrs and Roberta Gregory\u201d<\/li>\n<li>Pat Aufderheide and Debra Zimmerman, \u201cA to Z: A Conversation on Women\u2019s Filmmaking\u201d<\/li>\n<\/ul>\n<p>Primary text<\/p>\n<ul>\n<li><em>Wimmin\u2019s Comix<\/em> excerpts<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p>Screening: Alternative Distribution I (the 1970s): Newsreels, Activist Media, and Experimental Feminist Films<\/p>\n<ul>\n<li><em>Janie\u2019s Janie<\/em> (1971, 25 min) DVD<\/li>\n<li><em>Inside Women Inside<\/em> (1978, 28 min) DVD<\/li>\n<li>Julie Dash, <em>Four Women<\/em> (1979, 4 min) DVD<\/li>\n<li><em>The Woman\u2019s Film<\/em> (1971, 40 min) \u2013 DVD<\/li>\n<li>Barbara McCollugh Water Ritual (6 min) DVD<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p><strong>10\/29: Close Analysis due Monday, via email, by 11:59pm.<\/strong><\/p>\n<p><strong>11\/1 (Thursday): Minimum of 1 reading response posts due by 11:59pm.<\/strong><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>11\/5: <strong>1970<\/strong>&#8211;<strong>1980s-Afro-Futurism, Imagining Radical Feminisms<\/strong><\/p>\n<ul>\n<li>bell hooks, \u201cVisionary Feminism\u201d<\/li>\n<li>Lucas Hilderbrand, \u201cIn the Heat of the Moment: Notes on the Past, Present, and Future of <em>Born in Flames<\/em>\u201d<\/li>\n<li>Mitchell, Logue &amp; Berry, \u201cAre You Burning?\u201d<\/li>\n<li>Interview with Lizzie Borden, <em>BOMB Magazine<\/em><\/li>\n<\/ul>\n<p>Primary texts:<\/p>\n<ul>\n<li>Octavia Butler, \u201cBlood Child\u201d<\/li>\n<li>Samuel Delany, \u201cAmong the Blobs\u201d<\/li>\n<li>Mark Dery interviews on Afrofuturism<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p>Screening: <em>Born In Flames<\/em> (Lizzie Borden, US, 1983)<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>11\/12:<strong> Alternative Distribution II (the 1990s): Experimental and Activist Work on Film and Video<\/strong><\/p>\n<ul>\n<li>\u201cThe AIDS Crisis is Not Over,\u201d conversation with Gregg Bordowitz, Douglas Crimp, and Laura Pinsky<\/li>\n<li><em> Women, AIDS, and Activism<\/em>, ACT UP Women and AIDS Book Group, excerpts<\/li>\n<li>Douglas Crimp, \u201cRight on, Girlfriend!\u201d<\/li>\n<li>Marlon Riggs, \u201cNotes of a Signifyin\u2019 Snap Queen\u201d &amp; Ron Gregg review of <em>Tongues Untied<\/em><\/li>\n<li>Alexandra Juhasz, \u201cForgetting ACT UP\u201d<\/li>\n<\/ul>\n<p>Primary texts:<\/p>\n<ul>\n<li>NYPL Gran Fury collection: Images (<a href=\"https:\/\/digitalcollections.nypl.org\/collections\/gran-fury-collection#\/\">https:\/\/digitalcollections.nypl.org\/collections\/gran-fury-collection#\/<\/a>) and Guide (<a href=\"https:\/\/www.nypl.org\/sites\/default\/files\/archivalcollections\/pdf\/granfury_0.pdf\">https:\/\/www.nypl.org\/sites\/default\/files\/archivalcollections\/pdf\/granfury_0.pdf<\/a>)<\/li>\n<\/ul>\n<p><strong>Project Proposal Due in class.<\/strong><\/p>\n<p><strong>\u00a0<\/strong><\/p>\n<p>Screening: works by Marlon Riggs, ACT-UP, Cheryl Dunye, and more.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>11\/19:<strong> Community Activism &amp; the VHS Archives: A Workshop\/Screening with Alexandra Juhasz<\/strong><\/p>\n<p>Workshop with visiting scholar\/artist. Readings and Screenings TBA.<\/p>\n<p><strong>\u00a0<\/strong><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>11\/26: <strong>Close Analysis II: <em>Pariah <\/em><\/strong><\/p>\n<ul>\n<li>Roundtable discussion on <em>Pariah<\/em> and Black Independent Cinema Today<\/li>\n<li>Michael Boyce Gillespie, excerpt from <em>Film Blackness<\/em><\/li>\n<li>Interview with Bradford Young (<a href=\"https:\/\/www.indiewire.com\/2011\/12\/color-light-and-depth-the-visual-aesthetic-of-pariah-an-interview-w-cinematographer-bradford-young-149005\/\">https:\/\/www.indiewire.com\/2011\/12\/color-light-and-depth-the-visual-aesthetic-of-pariah-an-interview-w-cinematographer-bradford-young-149005\/<\/a>)<\/li>\n<li>Interview with Tamar-Kali (<a href=\"https:\/\/www.colorlines.com\/articles\/3-questions-tamar-kali-film-composer-extraordinaire\">https:\/\/www.colorlines.com\/articles\/3-questions-tamar-kali-film-composer-extraordinaire<\/a>)<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p>Screening: <em>Pariah<\/em> (Dee Rees, US, 2011) DVD, 1hr 26min.<\/p>\n<p><strong>Minimum of 2 reading response posts due by 11:59pm.<\/strong><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>12\/3: <strong>Gender and the Colonial Gaze<\/strong><\/p>\n<ul>\n<li>Giovanni Marchini Camia, \u201cIt\u2019s Not Literary Adaptation\u2026 It\u2019s Literary Infection An Interview with Lucrecia Martel\u201d<\/li>\n<li>Gerd Gem\u00fcnden and Silvia Spitta, \u201c\u2019I Was Never Afraid\u2019: An Interview with Lucrecia Martel\u201d<\/li>\n<li>Trinh T. Minh-ha, excerpt from <em>Woman, Native, Other<\/em><\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p>Screening: <em>Zama<\/em> (Lucrecia Martel, Argentina, 2017)<\/p>\n<p><strong>Project Report due in class.<\/strong><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><strong>12\/10: Reassessing the Negative Image: A screening\/workshop on <em>Love and Hip Hop<\/em>, Dirty Computers, and Experimental Digital Media<\/strong><\/p>\n<ul>\n<li>Racquel Gates, excerpts from <em>Double Negative: The Black Image and Popular Culture<\/em><\/li>\n<li>Nguyen Tan Hoang, excerpts from <em>A View from the Bottom<\/em><\/li>\n<li>Thomas F. DeFrantz on \u201cThis is America\u201d (<a href=\"http:\/\/asapjournal.com\/b-o-s-7-3-this-is-america-thomas-f-defrantz\/\">http:\/\/asapjournal.com\/b-o-s-7-3-this-is-america-thomas-f-defrantz\/<\/a>)<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p>Screening: Workshop on contemporary reality TV, long-form music videos, and experimental film<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><strong>12\/21: All 3 reading response posts due by 11:59pm.<\/strong><\/p>\n<p><strong>\u00a0<\/strong><\/p>\n<p><strong>\u00a0<\/strong><\/p>\n<p><strong>1\/25: Final Projects must be posted by 11:59pm.<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>9\/17: Introduction: 1920s &amp; 30s, the \u201cNew Woman,\u201d Urban Space, and New Media Audiences &nbsp; Screening: Stella Dallas (King Vidor, US, 1937) &nbsp; &nbsp; 9\/24: 1940s Ships &amp; Sailors, \u201cRosie the Riveter,\u201d Stars as Exports, &amp; the Zoot Suit Riots Jane Marcellus, \u201cBo\u2019s\u2019n\u2019s Whistle: Representing \u2018Rosie the Riveter\u2019 on the Job\u201d James Mandrell, &#8220;Carmen Miranda &hellip; <\/p>\n<p class=\"link-more\"><a href=\"https:\/\/commons.princeton.edu\/gendersexualityandmedia\/class-schedule\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Class Schedule&#8221;<\/span><\/a><\/p>\n","protected":false},"author":164,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-37","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/commons.princeton.edu\/gendersexualityandmedia\/wp-json\/wp\/v2\/pages\/37","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/commons.princeton.edu\/gendersexualityandmedia\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/commons.princeton.edu\/gendersexualityandmedia\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/commons.princeton.edu\/gendersexualityandmedia\/wp-json\/wp\/v2\/users\/164"}],"replies":[{"embeddable":true,"href":"https:\/\/commons.princeton.edu\/gendersexualityandmedia\/wp-json\/wp\/v2\/comments?post=37"}],"version-history":[{"count":1,"href":"https:\/\/commons.princeton.edu\/gendersexualityandmedia\/wp-json\/wp\/v2\/pages\/37\/revisions"}],"predecessor-version":[{"id":38,"href":"https:\/\/commons.princeton.edu\/gendersexualityandmedia\/wp-json\/wp\/v2\/pages\/37\/revisions\/38"}],"wp:attachment":[{"href":"https:\/\/commons.princeton.edu\/gendersexualityandmedia\/wp-json\/wp\/v2\/media?parent=37"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}