{"id":144,"date":"2020-12-27T23:16:29","date_gmt":"2020-12-28T04:16:29","guid":{"rendered":"https:\/\/commons.princeton.edu\/art574-yixu\/?p=144"},"modified":"2021-01-07T14:30:13","modified_gmt":"2021-01-07T19:30:13","slug":"object-7","status":"publish","type":"post","link":"https:\/\/commons.princeton.edu\/art574-yixu\/2020\/12\/27\/object-7\/","title":{"rendered":"Object #7"},"content":{"rendered":"<p><span style=\"color: #000000\">Kawada Kikuji \u5ddd\u7530\u559c\u4e45\u6cbb (b. 1933)<\/span><\/p>\n<p><span style=\"color: #000000\"><em>Photograph and Personal Effects of a Kamikaze Commando<\/em>, 1960\u201365, printed 1973<\/span><\/p>\n<p><span style=\"color: #000000\">Gelatin silver print<\/span><\/p>\n<p><span style=\"color: #000000\">image: 24.3 x 18.6 cm. (9 9\/16 x 7 5\/16 in.)<\/span><\/p>\n<p><span style=\"color: #000000\">sheet: 37.9 x 30.3 cm. (14 15\/16 x 11 15\/16 in.)<\/span><\/p>\n<p><span style=\"color: #000000\">Princeton University Art Museum. Gift of Robert Gambee, Class of 1964<\/span><\/p>\n<p><span style=\"color: #000000\">\u00a9 Kikuji Kawada<\/span><\/p>\n<hr \/>\n<p><span style=\"color: #000000\">This photograph features a framed portrait of a young man in military uniform and a neatly folded uniform in front of the portrait. From the style of his uniform and the epaulet, it is possible to identity him as an aviator from the <em>Kamikaze<\/em> Special Attack Unit. The way that his portrait is arranged with a folded uniform suggests that the framed photograph is probably a memorial portrait for the deceased soldier. In a succinct, straightforward way, this photograph presents to the viewer a melancholic episode of a person\u2019s life and a nation\u2019s past. Curiously, on top of the upper part of the photograph, there seems to be superimposed layer of a blurred image of a piece of handwriting. In light of other similar photographs of personal objects in the series, this blurred image is most likely a reflection on a glass placed in between the photographed subjects and the photographer\u2013\u2013Kawada probably took this picture behind a glass in a museum-like setting. The presence of this faint yet unignorable reflection calls attention to the physical and temporal gap between the viewer and an inaccessible past that the portrait refers to. In the photobook <em>The Map<\/em>, this photograph is grouped with other photographs that document similar personal objects left from the wartime\u2013\u2013portraits, military manuals, personal writings including notes of last will (Fig. 7-1). Like the framed portrait of the <em>Kamikaze<\/em> pilot, most of these personal items were photographed behind a glass in a public, museum-like setting.<\/span><\/p>\n<div id='gallery-1' class='gallery galleryid-144 gallery-columns-2 gallery-size-large'><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/commons.princeton.edu\/art574-yixu\/wp-content\/uploads\/sites\/239\/2020\/12\/Page-67\u201368-Kawada-Kikuji-\u5ddd\u7530\u559c\u4e45\u6cbb-The-Map-Chizu-\u5730\u56f3-2005-reprint-1-scaled.jpeg'><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"1024\" src=\"https:\/\/commons.princeton.edu\/art574-yixu\/wp-content\/uploads\/sites\/239\/2020\/12\/Page-67\u201368-Kawada-Kikuji-\u5ddd\u7530\u559c\u4e45\u6cbb-The-Map-Chizu-\u5730\u56f3-2005-reprint-1-1024x1024.jpeg\" class=\"attachment-large size-large\" alt=\"\" srcset=\"https:\/\/commons.princeton.edu\/art574-yixu\/wp-content\/uploads\/sites\/239\/2020\/12\/Page-67\u201368-Kawada-Kikuji-\u5ddd\u7530\u559c\u4e45\u6cbb-The-Map-Chizu-\u5730\u56f3-2005-reprint-1-1024x1024.jpeg 1024w, https:\/\/commons.princeton.edu\/art574-yixu\/wp-content\/uploads\/sites\/239\/2020\/12\/Page-67\u201368-Kawada-Kikuji-\u5ddd\u7530\u559c\u4e45\u6cbb-The-Map-Chizu-\u5730\u56f3-2005-reprint-1-300x300.jpeg 300w, https:\/\/commons.princeton.edu\/art574-yixu\/wp-content\/uploads\/sites\/239\/2020\/12\/Page-67\u201368-Kawada-Kikuji-\u5ddd\u7530\u559c\u4e45\u6cbb-The-Map-Chizu-\u5730\u56f3-2005-reprint-1-150x150.jpeg 150w, https:\/\/commons.princeton.edu\/art574-yixu\/wp-content\/uploads\/sites\/239\/2020\/12\/Page-67\u201368-Kawada-Kikuji-\u5ddd\u7530\u559c\u4e45\u6cbb-The-Map-Chizu-\u5730\u56f3-2005-reprint-1-768x768.jpeg 768w, https:\/\/commons.princeton.edu\/art574-yixu\/wp-content\/uploads\/sites\/239\/2020\/12\/Page-67\u201368-Kawada-Kikuji-\u5ddd\u7530\u559c\u4e45\u6cbb-The-Map-Chizu-\u5730\u56f3-2005-reprint-1-1536x1536.jpeg 1536w, https:\/\/commons.princeton.edu\/art574-yixu\/wp-content\/uploads\/sites\/239\/2020\/12\/Page-67\u201368-Kawada-Kikuji-\u5ddd\u7530\u559c\u4e45\u6cbb-The-Map-Chizu-\u5730\u56f3-2005-reprint-1-2048x2048.jpeg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/a>\n\t\t\t<\/div><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/commons.princeton.edu\/art574-yixu\/wp-content\/uploads\/sites\/239\/2020\/12\/Page-69\u201370-Kawada-Kikuji-\u5ddd\u7530\u559c\u4e45\u6cbb-The-Map-Chizu-\u5730\u56f3-2005-reprint-1-scaled.jpeg'><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"1024\" src=\"https:\/\/commons.princeton.edu\/art574-yixu\/wp-content\/uploads\/sites\/239\/2020\/12\/Page-69\u201370-Kawada-Kikuji-\u5ddd\u7530\u559c\u4e45\u6cbb-The-Map-Chizu-\u5730\u56f3-2005-reprint-1-1024x1024.jpeg\" class=\"attachment-large size-large\" alt=\"\" srcset=\"https:\/\/commons.princeton.edu\/art574-yixu\/wp-content\/uploads\/sites\/239\/2020\/12\/Page-69\u201370-Kawada-Kikuji-\u5ddd\u7530\u559c\u4e45\u6cbb-The-Map-Chizu-\u5730\u56f3-2005-reprint-1-1024x1024.jpeg 1024w, https:\/\/commons.princeton.edu\/art574-yixu\/wp-content\/uploads\/sites\/239\/2020\/12\/Page-69\u201370-Kawada-Kikuji-\u5ddd\u7530\u559c\u4e45\u6cbb-The-Map-Chizu-\u5730\u56f3-2005-reprint-1-300x300.jpeg 300w, https:\/\/commons.princeton.edu\/art574-yixu\/wp-content\/uploads\/sites\/239\/2020\/12\/Page-69\u201370-Kawada-Kikuji-\u5ddd\u7530\u559c\u4e45\u6cbb-The-Map-Chizu-\u5730\u56f3-2005-reprint-1-150x150.jpeg 150w, https:\/\/commons.princeton.edu\/art574-yixu\/wp-content\/uploads\/sites\/239\/2020\/12\/Page-69\u201370-Kawada-Kikuji-\u5ddd\u7530\u559c\u4e45\u6cbb-The-Map-Chizu-\u5730\u56f3-2005-reprint-1-768x768.jpeg 768w, https:\/\/commons.princeton.edu\/art574-yixu\/wp-content\/uploads\/sites\/239\/2020\/12\/Page-69\u201370-Kawada-Kikuji-\u5ddd\u7530\u559c\u4e45\u6cbb-The-Map-Chizu-\u5730\u56f3-2005-reprint-1-1536x1536.jpeg 1536w, https:\/\/commons.princeton.edu\/art574-yixu\/wp-content\/uploads\/sites\/239\/2020\/12\/Page-69\u201370-Kawada-Kikuji-\u5ddd\u7530\u559c\u4e45\u6cbb-The-Map-Chizu-\u5730\u56f3-2005-reprint-1-2048x2048.jpeg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/a>\n\t\t\t<\/div><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/commons.princeton.edu\/art574-yixu\/wp-content\/uploads\/sites\/239\/2020\/12\/Page-71\u201374-Kawada-Kikuji-\u5ddd\u7530\u559c\u4e45\u6cbb-The-Map-Chizu-\u5730\u56f3-2005-reprint-1-scaled.jpeg'><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"498\" src=\"https:\/\/commons.princeton.edu\/art574-yixu\/wp-content\/uploads\/sites\/239\/2020\/12\/Page-71\u201374-Kawada-Kikuji-\u5ddd\u7530\u559c\u4e45\u6cbb-The-Map-Chizu-\u5730\u56f3-2005-reprint-1-1024x498.jpeg\" class=\"attachment-large size-large\" alt=\"\" srcset=\"https:\/\/commons.princeton.edu\/art574-yixu\/wp-content\/uploads\/sites\/239\/2020\/12\/Page-71\u201374-Kawada-Kikuji-\u5ddd\u7530\u559c\u4e45\u6cbb-The-Map-Chizu-\u5730\u56f3-2005-reprint-1-1024x498.jpeg 1024w, https:\/\/commons.princeton.edu\/art574-yixu\/wp-content\/uploads\/sites\/239\/2020\/12\/Page-71\u201374-Kawada-Kikuji-\u5ddd\u7530\u559c\u4e45\u6cbb-The-Map-Chizu-\u5730\u56f3-2005-reprint-1-300x146.jpeg 300w, https:\/\/commons.princeton.edu\/art574-yixu\/wp-content\/uploads\/sites\/239\/2020\/12\/Page-71\u201374-Kawada-Kikuji-\u5ddd\u7530\u559c\u4e45\u6cbb-The-Map-Chizu-\u5730\u56f3-2005-reprint-1-768x373.jpeg 768w, https:\/\/commons.princeton.edu\/art574-yixu\/wp-content\/uploads\/sites\/239\/2020\/12\/Page-71\u201374-Kawada-Kikuji-\u5ddd\u7530\u559c\u4e45\u6cbb-The-Map-Chizu-\u5730\u56f3-2005-reprint-1-1536x746.jpeg 1536w, https:\/\/commons.princeton.edu\/art574-yixu\/wp-content\/uploads\/sites\/239\/2020\/12\/Page-71\u201374-Kawada-Kikuji-\u5ddd\u7530\u559c\u4e45\u6cbb-The-Map-Chizu-\u5730\u56f3-2005-reprint-1-2048x995.jpeg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/a>\n\t\t\t<\/div><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/commons.princeton.edu\/art574-yixu\/wp-content\/uploads\/sites\/239\/2020\/12\/Page-75\u201376-Kawada-Kikuji-\u5ddd\u7530\u559c\u4e45\u6cbb-The-Map-Chizu-\u5730\u56f3-2005-reprint-1-scaled.jpeg'><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"943\" src=\"https:\/\/commons.princeton.edu\/art574-yixu\/wp-content\/uploads\/sites\/239\/2020\/12\/Page-75\u201376-Kawada-Kikuji-\u5ddd\u7530\u559c\u4e45\u6cbb-The-Map-Chizu-\u5730\u56f3-2005-reprint-1-1024x943.jpeg\" class=\"attachment-large size-large\" alt=\"\" srcset=\"https:\/\/commons.princeton.edu\/art574-yixu\/wp-content\/uploads\/sites\/239\/2020\/12\/Page-75\u201376-Kawada-Kikuji-\u5ddd\u7530\u559c\u4e45\u6cbb-The-Map-Chizu-\u5730\u56f3-2005-reprint-1-1024x943.jpeg 1024w, https:\/\/commons.princeton.edu\/art574-yixu\/wp-content\/uploads\/sites\/239\/2020\/12\/Page-75\u201376-Kawada-Kikuji-\u5ddd\u7530\u559c\u4e45\u6cbb-The-Map-Chizu-\u5730\u56f3-2005-reprint-1-300x276.jpeg 300w, https:\/\/commons.princeton.edu\/art574-yixu\/wp-content\/uploads\/sites\/239\/2020\/12\/Page-75\u201376-Kawada-Kikuji-\u5ddd\u7530\u559c\u4e45\u6cbb-The-Map-Chizu-\u5730\u56f3-2005-reprint-1-768x707.jpeg 768w, https:\/\/commons.princeton.edu\/art574-yixu\/wp-content\/uploads\/sites\/239\/2020\/12\/Page-75\u201376-Kawada-Kikuji-\u5ddd\u7530\u559c\u4e45\u6cbb-The-Map-Chizu-\u5730\u56f3-2005-reprint-1-1536x1414.jpeg 1536w, https:\/\/commons.princeton.edu\/art574-yixu\/wp-content\/uploads\/sites\/239\/2020\/12\/Page-75\u201376-Kawada-Kikuji-\u5ddd\u7530\u559c\u4e45\u6cbb-The-Map-Chizu-\u5730\u56f3-2005-reprint-1-2048x1885.jpeg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/a>\n\t\t\t<\/div><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/commons.princeton.edu\/art574-yixu\/wp-content\/uploads\/sites\/239\/2020\/12\/Page-77\u201378-Kawada-Kikuji-\u5ddd\u7530\u559c\u4e45\u6cbb-The-Map-Chizu-\u5730\u56f3-2005-reprint-scaled.jpeg'><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"1007\" src=\"https:\/\/commons.princeton.edu\/art574-yixu\/wp-content\/uploads\/sites\/239\/2020\/12\/Page-77\u201378-Kawada-Kikuji-\u5ddd\u7530\u559c\u4e45\u6cbb-The-Map-Chizu-\u5730\u56f3-2005-reprint-1024x1007.jpeg\" class=\"attachment-large size-large\" alt=\"\" srcset=\"https:\/\/commons.princeton.edu\/art574-yixu\/wp-content\/uploads\/sites\/239\/2020\/12\/Page-77\u201378-Kawada-Kikuji-\u5ddd\u7530\u559c\u4e45\u6cbb-The-Map-Chizu-\u5730\u56f3-2005-reprint-1024x1007.jpeg 1024w, https:\/\/commons.princeton.edu\/art574-yixu\/wp-content\/uploads\/sites\/239\/2020\/12\/Page-77\u201378-Kawada-Kikuji-\u5ddd\u7530\u559c\u4e45\u6cbb-The-Map-Chizu-\u5730\u56f3-2005-reprint-300x295.jpeg 300w, https:\/\/commons.princeton.edu\/art574-yixu\/wp-content\/uploads\/sites\/239\/2020\/12\/Page-77\u201378-Kawada-Kikuji-\u5ddd\u7530\u559c\u4e45\u6cbb-The-Map-Chizu-\u5730\u56f3-2005-reprint-768x756.jpeg 768w, https:\/\/commons.princeton.edu\/art574-yixu\/wp-content\/uploads\/sites\/239\/2020\/12\/Page-77\u201378-Kawada-Kikuji-\u5ddd\u7530\u559c\u4e45\u6cbb-The-Map-Chizu-\u5730\u56f3-2005-reprint-1536x1511.jpeg 1536w, https:\/\/commons.princeton.edu\/art574-yixu\/wp-content\/uploads\/sites\/239\/2020\/12\/Page-77\u201378-Kawada-Kikuji-\u5ddd\u7530\u559c\u4e45\u6cbb-The-Map-Chizu-\u5730\u56f3-2005-reprint-2048x2015.jpeg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/a>\n\t\t\t<\/div><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/commons.princeton.edu\/art574-yixu\/wp-content\/uploads\/sites\/239\/2020\/12\/Page-79\u201382-Kawada-Kikuji-\u5ddd\u7530\u559c\u4e45\u6cbb-The-Map-Chizu-\u5730\u56f3-2005-reprint-scaled.jpeg'><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"531\" src=\"https:\/\/commons.princeton.edu\/art574-yixu\/wp-content\/uploads\/sites\/239\/2020\/12\/Page-79\u201382-Kawada-Kikuji-\u5ddd\u7530\u559c\u4e45\u6cbb-The-Map-Chizu-\u5730\u56f3-2005-reprint-1024x531.jpeg\" class=\"attachment-large size-large\" alt=\"\" srcset=\"https:\/\/commons.princeton.edu\/art574-yixu\/wp-content\/uploads\/sites\/239\/2020\/12\/Page-79\u201382-Kawada-Kikuji-\u5ddd\u7530\u559c\u4e45\u6cbb-The-Map-Chizu-\u5730\u56f3-2005-reprint-1024x531.jpeg 1024w, https:\/\/commons.princeton.edu\/art574-yixu\/wp-content\/uploads\/sites\/239\/2020\/12\/Page-79\u201382-Kawada-Kikuji-\u5ddd\u7530\u559c\u4e45\u6cbb-The-Map-Chizu-\u5730\u56f3-2005-reprint-300x156.jpeg 300w, https:\/\/commons.princeton.edu\/art574-yixu\/wp-content\/uploads\/sites\/239\/2020\/12\/Page-79\u201382-Kawada-Kikuji-\u5ddd\u7530\u559c\u4e45\u6cbb-The-Map-Chizu-\u5730\u56f3-2005-reprint-768x398.jpeg 768w, https:\/\/commons.princeton.edu\/art574-yixu\/wp-content\/uploads\/sites\/239\/2020\/12\/Page-79\u201382-Kawada-Kikuji-\u5ddd\u7530\u559c\u4e45\u6cbb-The-Map-Chizu-\u5730\u56f3-2005-reprint-1536x796.jpeg 1536w, https:\/\/commons.princeton.edu\/art574-yixu\/wp-content\/uploads\/sites\/239\/2020\/12\/Page-79\u201382-Kawada-Kikuji-\u5ddd\u7530\u559c\u4e45\u6cbb-The-Map-Chizu-\u5730\u56f3-2005-reprint-2048x1062.jpeg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/a>\n\t\t\t<\/div><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/commons.princeton.edu\/art574-yixu\/wp-content\/uploads\/sites\/239\/2020\/12\/Page-83\u201384-Kawada-Kikuji-\u5ddd\u7530\u559c\u4e45\u6cbb-The-Map-Chizu-\u5730\u56f3-2005-reprint-scaled.jpeg'><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"947\" src=\"https:\/\/commons.princeton.edu\/art574-yixu\/wp-content\/uploads\/sites\/239\/2020\/12\/Page-83\u201384-Kawada-Kikuji-\u5ddd\u7530\u559c\u4e45\u6cbb-The-Map-Chizu-\u5730\u56f3-2005-reprint-1024x947.jpeg\" class=\"attachment-large size-large\" alt=\"\" srcset=\"https:\/\/commons.princeton.edu\/art574-yixu\/wp-content\/uploads\/sites\/239\/2020\/12\/Page-83\u201384-Kawada-Kikuji-\u5ddd\u7530\u559c\u4e45\u6cbb-The-Map-Chizu-\u5730\u56f3-2005-reprint-1024x947.jpeg 1024w, https:\/\/commons.princeton.edu\/art574-yixu\/wp-content\/uploads\/sites\/239\/2020\/12\/Page-83\u201384-Kawada-Kikuji-\u5ddd\u7530\u559c\u4e45\u6cbb-The-Map-Chizu-\u5730\u56f3-2005-reprint-300x277.jpeg 300w, https:\/\/commons.princeton.edu\/art574-yixu\/wp-content\/uploads\/sites\/239\/2020\/12\/Page-83\u201384-Kawada-Kikuji-\u5ddd\u7530\u559c\u4e45\u6cbb-The-Map-Chizu-\u5730\u56f3-2005-reprint-768x710.jpeg 768w, https:\/\/commons.princeton.edu\/art574-yixu\/wp-content\/uploads\/sites\/239\/2020\/12\/Page-83\u201384-Kawada-Kikuji-\u5ddd\u7530\u559c\u4e45\u6cbb-The-Map-Chizu-\u5730\u56f3-2005-reprint-1536x1420.jpeg 1536w, https:\/\/commons.princeton.edu\/art574-yixu\/wp-content\/uploads\/sites\/239\/2020\/12\/Page-83\u201384-Kawada-Kikuji-\u5ddd\u7530\u559c\u4e45\u6cbb-The-Map-Chizu-\u5730\u56f3-2005-reprint-2048x1893.jpeg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/a>\n\t\t\t<\/div><\/figure>\n\t\t<\/div>\n\n<p style=\"text-align: center\"><span style=\"color: #666699\">Fig. 7-1. Page 67\u201384 in sequence, from Kawada Kikuji \u5ddd\u7530\u559c\u4e45\u6cbb, <em>The Map <\/em>(<em>Chizu<\/em> \u5730\u56f3), 2005 reprint.<\/span><\/p>\n<p><span style=\"color: #000000\">From the time when these personal objects were produced or actively used during the wartime to the publication of the photobook in 1965, these photographs about personal items in Kawada\u2019s <em>The Map<\/em> refer to multiple temporalities and narratives that co-existed with each other. Though these photographed objects were often viewed as war relics with a sense of mourning in the postwar era, the brave and spirited words in the written texts and the uniforms that allude to personal and national honor as documented in the photographs, nevertheless, reveal a distinct state of mind among Japanese people and a different nationalist narrative during the wartime. When these private, personal objects were relocated to a public museum as historical documents after the war, their meaning was also forced to be readapted in order to fit an ambiguous postwar narrative about the country\u2019s own violent past. The collision of the two narratives in these photographs poses the difficult question of how Japan should approach and remember the war.<\/span><\/p>\n<p><span style=\"color: #000000\">In addition, the gradual development of the theme of personal objects in Kawada\u2019s project of <em>The Map<\/em> adds another layer of temporality to these photographs on the production level. While Kawada\u2019s 1961 solo show entitled \u201cThe Map\u201d did not include any photograph of personal objects, in May 1963 issue of the magazine <em>Photo Art<\/em>, Kawada introduced a new type of photograph titled \u201c<em>Kinenbutsu<\/em>\u201d (\u8a18\u5ff5\u7269 Memorial Goods), which eventually evolved into one of the three main themes of the 1965 photobook.<a style=\"color: #000000\" href=\"#_ftn1\" name=\"_ftnref1\">[1]<\/a> This narrative of incorporating the photographs of personal objects into the photobook project impels one to ponder over the relationship between the personal memories carried by these photographs and a larger narrative of the war that the photobook explores. When the multiple narratives converge in the photographs of personal effects in the final photobook, the viewer creates yet another temporal dimension by reinvigorating the documented relics from the past through the turning of the pages and by probing into the irreconcilable temporalities in his or her particular social and cultural contexts.<\/span><\/p>\n<p><span style=\"color: #000000\">Temporality played an important role in Kawada\u2019s conception of the photobook project and photography in general. He once noted in an interview: \u201cFor <em>The Map<\/em>, I took photographs of different things over a period of five years. Japan changed greatly during those years, and I am interested in this temporality.\u201d<a style=\"color: #000000\" href=\"#_ftn2\" name=\"_ftnref2\">[2]<\/a> As Kawada consciously messed around the idea of temporality in his works, the passing of time also bestowed upon his photographs new social and cultural connotations that refute any fixed, stable narrative\u2013\u2013in Kawada\u2019s words, \u201cPhotographic expressions can change dramatically over time.\u201d<a style=\"color: #000000\" href=\"#_ftn3\" name=\"_ftnref3\">[3]<\/a> Through such experimentation with temporality in the photobook, Kawada has transformed the personal effects that he photographed into his own contemplation about Japan\u2019s relationship with the war\u2013\u2013as he commented on the project, \u201cwhat lay beneath that was my perspective and way of thinking as I lived through the era.\u201d<a style=\"color: #000000\" href=\"#_ftn4\" name=\"_ftnref4\">[4]<\/a><\/span><\/p>\n<hr \/>\n<p><span style=\"color: #000000\"><a style=\"color: #000000\" href=\"#_ftn4\" name=\"_ftnref4\"><\/a><\/span><\/p>\n<p><span style=\"color: #666699\"><a style=\"color: #666699\" href=\"#_ftnref1\" name=\"_ftn1\">[1]<\/a> Maggie Mustard, \u201cAtlas Novus: Kawada Kikuji\u2019s <em>Chizu<\/em> (<em>The Map<\/em>) and Postwar Japanese Photography,\u201d PhD dissertation (Columbia University, 2018), 71\u201374.<\/span><\/p>\n<p><span style=\"color: #666699\"><a style=\"color: #666699\" href=\"#_ftnref2\" name=\"_ftn2\">[2]<\/a> Kawada Kikuji and Lena Fritsch, \u201cIn Conversation with Kawada Kikuji,\u201d in <em>Ravens &amp; Red Lipstick: Japanese Photography Since 1945<\/em> (London: Thames &amp; Hudson, 2018), 50.<\/span><\/p>\n<p><span style=\"color: #666699\"><a style=\"color: #666699\" href=\"#_ftnref3\" name=\"_ftn3\">[3]<\/a> Kawada Kikuji and Lena Fritsch, \u201cIn Conversation with Kawada Kikuji,\u201d 50.<\/span><\/p>\n<p><span style=\"color: #666699\"><a style=\"color: #666699\" href=\"#_ftnref4\" name=\"_ftn4\">[4]<\/a> Kawada Kikuji, Interview, San Francisco Museum of Fine Arts, March 2016. https:\/\/www.sfmoma.org\/artist\/Kikuji_Kawada\/.<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Kawada Kikuji \u5ddd\u7530\u559c\u4e45\u6cbb (b. 1933) Photograph and Personal Effects of a Kamikaze Commando, 1960\u201365, printed 1973 Gelatin silver print image: 24.3 x 18.6 cm. (9 9\/16 x 7 5\/16 in.) sheet: 37.9 x 30.3 cm. (14 15\/16 x 11 15\/16 in.) Princeton University Art Museum. Gift of Robert Gambee, Class of 1964 \u00a9 Kikuji Kawada [&hellip;]<\/p>\n","protected":false},"author":3443,"featured_media":146,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[9],"tags":[],"class_list":["post-144","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kawada-kikuji-"],"_links":{"self":[{"href":"https:\/\/commons.princeton.edu\/art574-yixu\/wp-json\/wp\/v2\/posts\/144","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/commons.princeton.edu\/art574-yixu\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/commons.princeton.edu\/art574-yixu\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/commons.princeton.edu\/art574-yixu\/wp-json\/wp\/v2\/users\/3443"}],"replies":[{"embeddable":true,"href":"https:\/\/commons.princeton.edu\/art574-yixu\/wp-json\/wp\/v2\/comments?post=144"}],"version-history":[{"count":7,"href":"https:\/\/commons.princeton.edu\/art574-yixu\/wp-json\/wp\/v2\/posts\/144\/revisions"}],"predecessor-version":[{"id":390,"href":"https:\/\/commons.princeton.edu\/art574-yixu\/wp-json\/wp\/v2\/posts\/144\/revisions\/390"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/commons.princeton.edu\/art574-yixu\/wp-json\/wp\/v2\/media\/146"}],"wp:attachment":[{"href":"https:\/\/commons.princeton.edu\/art574-yixu\/wp-json\/wp\/v2\/media?parent=144"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/commons.princeton.edu\/art574-yixu\/wp-json\/wp\/v2\/categories?post=144"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/commons.princeton.edu\/art574-yixu\/wp-json\/wp\/v2\/tags?post=144"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}