{"id":110,"date":"2017-04-17T13:02:04","date_gmt":"2017-04-17T17:02:04","guid":{"rendered":"http:\/\/commons.princeton.edu\/seeingtoremember\/?page_id=110"},"modified":"2017-04-30T21:21:57","modified_gmt":"2017-05-01T01:21:57","slug":"elizabeth-catlett-in-harriet-tubman-i-helped-hundreds-to-freedom-1946-linocut","status":"publish","type":"page","link":"http:\/\/commons.princeton.edu\/seeingtoremember\/reclaiming\/elizabeth-catlett-in-harriet-tubman-i-helped-hundreds-to-freedom-1946-linocut\/","title":{"rendered":"Elizabeth Catlett, In Harriet Tubman I Helped Hundreds to Freedom, 1946, linocut"},"content":{"rendered":"<p>By Imani Noelle Ford<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-274\" src=\"http:\/\/commons.princeton.edu\/seeingtoremember\/wp-content\/uploads\/sites\/26\/2017\/04\/elizabeth-catlett-in-harriet-tubman-i-helped-hundreds-to-freedom-from-the-negro-woman-239x300.jpg\" alt=\"\" width=\"239\" height=\"300\" srcset=\"http:\/\/commons.princeton.edu\/seeingtoremember\/wp-content\/uploads\/sites\/26\/2017\/04\/elizabeth-catlett-in-harriet-tubman-i-helped-hundreds-to-freedom-from-the-negro-woman-239x300.jpg 239w, http:\/\/commons.princeton.edu\/seeingtoremember\/wp-content\/uploads\/sites\/26\/2017\/04\/elizabeth-catlett-in-harriet-tubman-i-helped-hundreds-to-freedom-from-the-negro-woman.jpg 375w\" sizes=\"auto, (max-width: 239px) 100vw, 239px\" \/><\/p>\n<p><span style=\"font-weight: 400\">Elizabeth Catlett\u2019s work is influenced by both her social and political concerns as well as her relationship to Mexico and its muralists who also re-interpreted and re-depicted their history. According to Catlett, her artwork is meant to <\/span><span style=\"font-weight: 400\">&#8220;present black people in their beauty and dignity for ourselves and others to understand and enjoy.&#8221; <\/span><\/p>\n<p><i><span style=\"font-weight: 400\">In Harriet Tubman<\/span><\/i><span style=\"font-weight: 400\">, Catlett uses linocut (or carvings made on a slab of linoleum) to similarly render Harriet Tubman, the black female abolitionist who was known as the Underground Railroad \u00a0\u201cconductor.\u201d She helped free thousands of slaves. Further, <\/span><i><span style=\"font-weight: 400\">In Harriet <\/span><\/i><span style=\"font-weight: 400\">is one of a 15 part series called \u201cThe Negro Woman\u201d in which Catlett presents a different narrative in each linocut. Every image represents a different part of the narrative. <\/span><span style=\"font-weight: 400\">For instance, in two other linocuts she depicts other famous black female pioneers such as Phyllis Wheatley and Sojourner Truth.<\/span><\/p>\n<p><span style=\"font-weight: 400\">At the time she made this series, Catlett was in Mexico and heavily influenced by the Mexican artists she interacted with. This influence and Catlett\u2019s fascination with Mexican artists\u2019 representation of their past, impacted her feminist reinterpretation and representation of historical black female figures in \u201cThe Negro Woman.\u201d Catlett\u2019s feminist ideologies bleed through Tubman\u2019s linocut where she visually suggests the way in which Tubman embodies a queered womanhood. This portrayal of Tubman wears a dress and is hard, unyielding, and traditionally \u201cmasculine.\u201d Catlett\u2019s representation adds nuance to what we take to be an expression of womanhood.<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>By Imani Noelle Ford Elizabeth Catlett\u2019s work is influenced by both her social and political concerns as well as her relationship to Mexico and its muralists who also re-interpreted and re-depicted their history. According to Catlett, her artwork is meant to &#8220;present black people in their beauty and dignity for ourselves and others to understand &hellip; <\/p>\n<p class=\"link-more\"><a href=\"http:\/\/commons.princeton.edu\/seeingtoremember\/reclaiming\/elizabeth-catlett-in-harriet-tubman-i-helped-hundreds-to-freedom-1946-linocut\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Elizabeth Catlett, In Harriet Tubman I Helped Hundreds to Freedom, 1946, linocut&#8221;<\/span><\/a><\/p>\n","protected":false},"author":148,"featured_media":0,"parent":24,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-110","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"http:\/\/commons.princeton.edu\/seeingtoremember\/wp-json\/wp\/v2\/pages\/110","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/commons.princeton.edu\/seeingtoremember\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/commons.princeton.edu\/seeingtoremember\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/commons.princeton.edu\/seeingtoremember\/wp-json\/wp\/v2\/users\/148"}],"replies":[{"embeddable":true,"href":"http:\/\/commons.princeton.edu\/seeingtoremember\/wp-json\/wp\/v2\/comments?post=110"}],"version-history":[{"count":5,"href":"http:\/\/commons.princeton.edu\/seeingtoremember\/wp-json\/wp\/v2\/pages\/110\/revisions"}],"predecessor-version":[{"id":275,"href":"http:\/\/commons.princeton.edu\/seeingtoremember\/wp-json\/wp\/v2\/pages\/110\/revisions\/275"}],"up":[{"embeddable":true,"href":"http:\/\/commons.princeton.edu\/seeingtoremember\/wp-json\/wp\/v2\/pages\/24"}],"wp:attachment":[{"href":"http:\/\/commons.princeton.edu\/seeingtoremember\/wp-json\/wp\/v2\/media?parent=110"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}