In History Beyond the Written Word: Unconventional Historical Sources and The Historian’s Craft. History 278 (Spring 2015), students conducted oral history interviews and collected other materials, researching history using unconventional sources.
In June and July 2016, students traveled to Athens and the island of Lesbos, notebooks and cameras in hand, to serve as eyewitnesses at a pivotal moment in world affairs. Their challenging assignment: Produce a compelling and rigorous first rough draft of history.
This course traces the intersecting discourses of race, nation, and disease throughout US history, examining various “living laboratories” or sites of state-sanctioned medical experimentation on populations such as Asian American, African American and Latinx, deemed to harbor disease.
Born in the late 1800s, the New Negro movement demanded political equality, desegregation, and an end to lynching, while also launching new forms of international Black cultural expression. The visionary modernity of its artists not only reimagined the history of the black diaspora by developing new artistic languages through travel, music, religion and poetry, but also shaped modernism as a whole in the 20th century. Incorporating field trips and sessions in the Princeton University Art Museum, this course explores Afro-modern forms of artistic expression from the late 19th-century into the mid-20th century.
The Trenton Project is a collaborative documentary investigation by the Princeton University course, Documentary Film and the City.
Custom, Digital Narrative, History, Instructional Materials Development, Mapping, Pedagogical Tools, Projects, Wordpress Sitesbenj 2017-10-03T01:41:28+00:00
Students in the Spring 2016, HIS278, Digital, Spatial, Visual and Oral Histories course produced digital narratives using ESRI’s online StoryMaps application. Based on recorded interviews conducted by the Historical Society of Princeton, images from the Society’s archives, census records, and digital maps held in Princeton University’s Maps and Geospatial Information Center, these multimedia narratives tell stories about the lives of residents of the Witherspoon-Jackson neighborhood in Princeton.
Course Sites, Digital Narrative, East Asian Studies, Pedagogical Tools, Study Trips, Wordpress Sitesbenj 2017-10-03T01:27:18+00:00
A six-week summer program at the University of Tokyo (UT) is designed specifically for rising juniors and seniors who are preparing to begin their research for their junior papers and senior theses. The program includes: weekly seminars with UT students by guest lecturers on topics and methods related to the theme of “Nature and the Environment;” weekly meetings with the instructor on individual research; and field trips to sites associated with nature and environment in and around Tokyo. Students may also audit courses offered in English at UT. During the final week of the program, the group will take a trip to the Tohoku region, traditionally known for its rich landscape, as represented in the works of the haiku poet Matsuo Basho, writer Miyazawa Kenji, and folklorist Yanagita Kunio. We will also visit sites and local organizations to study the environmental, social, and economic repercussions of the massive earthquake/tsunami of 2011 and the Fukushima nuclear disaster. The site was created for Professor Haruko Wakabayashi, Researcher and visiting faculty member, Department of East Asian Studies.
WAR, MEMORY, AND IDENTITY documents a six-week summer program, in partnership with the University of Tokyo, and particularly the Institute for Advanced Studies on Asia. With resources and scholars covering the region, and often focusing on different perspectives and questions than those that animate American discussions, the University of Tokyo provides a superb environment for research and study that can contribute to the many junior papers and senior theses each year that deal with these complex issues.
While in Tokyo, students will be in a program led by Dr. Haruko Wakabayashi of Princeton’s East Asian Studies Department, which include weekly seminars held with University of Tokyo students inviting guest lecturers who will discuss their research topics and methods related to the theme of “War, Memory, and Identity.” These seminars are designed to help students build perspectives from a variety of disciplines and develop research questions. Each student will also have the opportunity to meet with and receive feedback from scholars in the field. In addition, the weekly research meetings will tailor discussion to the questions and concerns of individual students. Students will also go on field trips to sites associated with war and memory in Tokyo and in Hiroshima.
Visit: War, Memory and Identity
Art and Archeology, Custom, Digital Narrative, English, Film Studies, Pedagogical Tools, Wordpress Sitesbenj 2017-05-20T00:14:03+00:00
This site was created for a course cross-listed between the Departments of Art and Archeology and French. The students in this course studied the Surrealist movement, and created their own projects, according to Surrealist believes. the projects included an exhibition, a word cloud, a review and remix of several Surrealist classic films, and essays on themes commonly found in Surrealist works and writings. The course was designed and taught by Professor of French and Italian, Efthymia Rentzou.
This site is a student-created review of film, television, and popular culture. In the words of its creators:
The Princeton Buffer provides reviews and conversations to advise you on what you should be watching, what’s up with what you’re already watching, or what you should stop watching this instant. We are a group of student film buffs and television nerds who care about providing thoughtful and engaging insights in the voice of our generation. As editors and writers for the Buff, we want to make your precious viewing time better—or at the very least, more fun!
The site was created for Diana Fuss, Louis W. Fairchild ’24 Professor of English. Professor Fuss teaches, among other topics, a course on American Cinema.
Visit Princeton Buffer
Why do audiences tend to experience both fascination and despair when viewing disasters from afar? How does such ambivalence complicate our understanding of the viewer’s ethical responsibility to others? And how should audiences cope with the moral and emotional problems associated with watching real-life tragedies unfold? These questions may seem unique to our hyper-mediated age, but scholars have debated them for centuries.
This course site served as a final writing project for a course on the conventions of academic writing when discussing highly charged topics. Students were invited to create a space on the site that allowed for an emotional response, be it through essay, poetry, music, or other creative endeavor, for the disaster they had already studiedin other more formal writing assignments.
Instructor: Timothy Recuber, The Writing Program.
This course examines the social impact of social media sites such as Facebook, and how they have changed communication patterns, and expectations of privacy.
Students used the site to comment on course readings, various social networks, and their experience with new forms of social networking.
Instructor: Edward Felten, Center for Information Technology Policy and Computer Science and Public Affairs.